Michelle summary. Michelle Sinyagin
What are the main views of Michel Montaigne, a French writer and philosopher, were described in his works, you will learn in this article.
Michel Montaigne main ideas
He outlined all his views and ideas on the pages of his treatise "Experiments". In general, this is a kind of autocharacteristic and is not a scientific treatise. It has no sequence or plan. In the "Experiences" Montaigne talks about God and nature, man and the world, politics and ethics, but the main subject of work is a person not in a generalized sense, but the very personality of the author.
Michel Montaigne's Ideas in Labor Experiments
In general, the author is engaged in introspection and a kind of narcissism. Therefore, his treatise is intended for a narrow circle of people. main idea that contributes to the fact that it is studied by scientists as well, these are the pedagogical ideas presented by him.
In "Experience" the thinker touches on the topic of interactive learning. Michel Montaigne, whose pedagogical ideas were far ahead of their time, was the first in whose work the origins of the emergence of interactive learning are found. In the chapter “On the upbringing of children”, he put forward the idea of the purposeful development of the physical and mental activity of children using methods, games, forms and techniques to stimulate initiative and organize learning.
Montaigne pointed out that from birth the child is primordially pure, and this purity is gradually corroded by society. Therefore, it is necessary to develop freedom of the spirit, a tendency to independent thinking, the development of an active life position, freedom of choice and such qualities as willpower, courage, determination. All this will help the child in the future to become useful for society, a worthy citizen.
Particular attention should be paid mental development. The task of the teacher is to present different teachings, show their similarities and differences, introduce all the facts that contribute to the work and rethinking of information. The teacher should stimulate the student to oral expression, the ability to reason and give his assessment of events and facts.
Thus, Montaigne emphasized that mere dry knowledge has no value if it is not applied in life. This is the whole point of interactive learning.
The philosopher advocated the abolition of obsolete and ineffective medieval ways and methods of teaching. From them, neither the teacher nor the student will become wiser.
Montaigne Interactive Learning Ideas:
- The teacher must give the student freedom of choice;
- The student must speak first, and then the teacher;
- The teacher should require the student not only to memorize the content of the lesson, but also their essence;
- The acquired knowledge must be put into practice;
- It is necessary to force the student to think and ponder;
- Nothing needs to be hammered into the child's head;
- The main teaching method is dialogue;
We hope that from this article you have learned what ideas were formed by the great humanist Michel Montaigne.
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Mikhail Sinyagin was born in 1887. He did not get into the imperialist war because of the infringement of the hernia. He writes poems in the spirit of the Symbolists, decadent and aesthetic, walking with a flower in his buttonhole and a glass in his hand. He lives near Pskov, in the estate "Calm", in the company of his mother and aunt. The estate is soon taken away as the revolution begins, but Michel, his mother and aunt still have a small house.
Here, in Pskov, in 1919, he met Simochka M., whose father had died two years earlier, leaving six daughters in the arms of his mother, an energetic pockmarked widow. Simochka soon became pregnant by Michel (who indulged in seemingly innocent activities with her, such as reading poetry and running through the woods), and her mother visited Michel in the evening, demanding to marry her daughter. Simagin refused, and the widow jumped onto the windowsill, threatening the poet with suicide. Forced to agree, Michel suffered a severe nervous attack that same night. His mother and aunt, in tears, wrote down his orders regarding Petals and Forget-Me-Nots and other literary heritage. However, the next morning he was completely healthy and, having received a note from Simochka with a plea for a meeting, he went to her.
Simochka asked him for forgiveness for her mother's behavior, and they got married without any objection from Michel and his relatives. But the aunt was still dissatisfied with the haste and forced marriage. Michel's mother, a quiet, inconspicuous woman, has died, and her aunt, energetic and hoping for a speedy return of the estate and the old times in general, decides to go to Petersburg. Petersburg, people say, should soon go to Finland or even become a free city as part of some state of Northern Europe. On the way, the aunt is robbed, about which she informs Michel by letter.
Meanwhile, Michel becomes a father. It's him on a short time takes, but soon he ceases to be interested in the family and decides to go to his aunt in St. Petersburg. She meets him without much enthusiasm, because she does not need freeloaders. Not thinking of returning to Simochka, who is selflessly in love with him, writing letters to him without any hope of an answer, Sinyagin gets a modest clerical position in St. Petersburg, abandons poetry and meets a young and beautiful lady, who is parodically called Isabella Efremovna.
Isabella Efremovna was created "for an elegant life." She dreams of leaving with Sinyagin, crossing the Persian border with him and then fleeing to Europe. She plays the guitar, sings romances, spends Michel's money, and he increasingly carelessly performs his official duties, for which he has a deep disgust. But he is not really capable of anything, he exists on a beggarly salary and handouts from his aunt. Soon he is expelled from work, his aunt refuses to support him, and Isabella Efremovna is going to leave him. But then salvation comes: the aunt loses her mind, she is taken to a lunatic asylum, and Sinyagin begins to live on her property.
This goes on for about a year, and the aunt plunges deeper and deeper into madness, but suddenly she is brought home recovered. Michel tries to keep her out of her room so that she does not see the picture of the complete ruin that he caused there. The aunt, however, gets into her room and at the sight of desolation (for Michel managed to live almost everything with Isabella Efremovna) finally moved her mind.
Isabella Efremovna soon abandoned Michel anyway, because he had no money left, and he did not know how to serve and did not want to. So he began to beg without feeling the full depth of his fall, for "a millionaire does not realize that he is a millionaire, and a rat does not realize that he is a rat." Begging for alms (fear of such an end, like the image of a beggar, has always haunted Zoshchenko), Sinyagin lives well and even allows himself to eat normally. To give himself an "intelligent look", he invariably carries a canvas briefcase with him.
But at the age of forty-two, he suddenly understands the horror of his life and decides to return to Pskov, to his wife, whom he did not remember for six years.
His wife, thinking that he had disappeared in Petrograd, had long ago married another, the head of the trust, an elderly and pale man. Seeing the lowered, dirty, hungry Michel, who opens his own gate with tears, the wife began to sob and wring her hands, and her second husband decided to take part in Michel. He is fed a hearty meal, and later they find him a place in the management of cooperatives, where he works in the last months of his life.
And then he dies of pneumonia "in the arms of his friends and benefactors" - his first wife and her second husband. His grave is cleaned with fresh flowers. With this ironic phrase, the author ends his story about the fall of an intellectual.
retold
Zoshchenko M.M., Michel Sinyagin.
Mikhail Sinyagin was born in 1887. He did not get into the imperialist war because of the infringement of the hernia. He writes poems in the spirit of the Symbolists, decadent and aesthetic, walking with a flower in his buttonhole and a glass in his hand. He lives near Pskov, in the estate "Calm", in the company of his mother and aunt. The estate is soon taken away as the revolution begins, but Michel, his mother and aunt still have a small house.
Here, in Pskov, in 1919, he met Simochka M., whose father had died two years earlier, leaving six daughters in the arms of his mother, an energetic pockmarked widow. Simochka soon became pregnant by Michel (who indulged in seemingly innocent activities with her, such as reading poetry and running through the woods), and her mother visited Michel in the evening, demanding to marry her daughter. Simagin refused, and the widow jumped onto the windowsill, threatening the poet with suicide. Forced to agree, Michel suffered a severe nervous attack that same night. His mother and aunt, in tears, wrote down his instructions regarding "Petals and Forget-me-Nots" and other literary heritage. However, by the next morning he was quite well, and, having received a note from Simochka with a plea for a meeting, he went to her.
Simochka asked him for forgiveness for her mother's behavior, and they got married without any objection from Michel and his relatives. But the aunt was still dissatisfied with the haste and forced marriage. Michel's mother, a quiet, inconspicuous woman, has died, and her aunt, energetic and hoping for a speedy return of the estate and the old days in general, decides to go to Petersburg. Petersburg, people say, should soon go to Finland or even become a free city as part of some state of Northern Europe. On the way, the aunt is robbed, about which she informs Michel by letter.
Meanwhile, Michel becomes a father. This occupies him for a short time, but soon he ceases to be interested in his family and decides to go to his aunt in St. Petersburg. She meets him without much enthusiasm, because she does not need freeloaders. Not thinking of returning to Simochka, who is selflessly in love with him, writing letters to him without any hope of an answer, Sinyagin gets a modest clerical position in St. Petersburg, abandons poetry and meets a young and beautiful lady, who is parodically called Isabella Efremovna.
Isabella Efremovna was created "for an elegant life." She dreams of leaving with Sinyagin, crossing the Persian border with him and then fleeing to Europe. She plays the guitar, sings romances, spends Michel's money, and he more and more carelessly performs his official duties, for which he has a deep disgust. But he is not really capable of anything, he exists on a beggarly salary and handouts from his aunt. Soon he is fired from work, his aunt refuses to support him, and Isabella Efremovna is about to leave him. But then salvation comes: the aunt loses her mind, she is taken to a lunatic asylum, and Sinyagin begins to live on her property.
This goes on for about a year, and the aunt sinks deeper and deeper into madness, but suddenly she is brought home recovered. Michel tries to keep her out of her room so that she does not see the picture of the complete ruin that he caused there. The aunt, however, gets into her room and at the sight of desolation (for Michel managed to live almost everything with Isabella Efremovna) finally moved her mind.
Isabella Efremovna soon abandoned Michel anyway, because he had no money left, and he did not know how to serve and did not want to. So he began to beg without feeling the full depth of his fall, for "the millionaire does not realize that he is a millionaire, and the rat does not realize that he is a rat." Begging for alms (fear of such an end, like the image of a beggar, always haunted Zoshchenko), Sinyagin lives well and even allows himself to eat normally. To give himself an "intelligent look" he invariably carries a canvas briefcase with him.
But at the age of forty-two, he suddenly understands the horror of his life and decides to return to Pskov, to his wife, whom he did not remember for six years.
His wife, thinking that he had disappeared in Petrograd, had long ago married another, the head of the trust, an elderly and pale man. Seeing the lowered, dirty, hungry Michel, who opens his own gate with tears, the wife began to sob and wring her hands, and her second husband decided to take part in Michel. He is fed a hearty meal, and later they find him a place in the management of cooperatives, where he works in the last months of his life.
And then he dies of pneumonia "in the arms of his friends and benefactors" - his first wife and her second husband. His grave is cleaned with fresh flowers. With this ironic phrase, the author ends his story about the fall of an intellectual.
Michel Sinyagin
M. M. Zoshchenko
Michel Sinyagin
Mikhail Sinyagin was born in 1887. He did not get into the imperialist war because of the infringement of the hernia. He writes poems in the spirit of the Symbolists, decadent and aesthetic, walking with a flower in his buttonhole and a glass in his hand. He lives near Pskov, in the estate "Calm", in the company of his mother and aunt. The estate is soon taken away as the revolution begins, but Michel, his mother and aunt still have a small house.
Here, in Pskov, in 1919, he met Simochka M., whose father had died two years earlier, leaving six daughters in the arms of his mother, an energetic pockmarked widow. Simochka soon became pregnant by Michel (who indulged in seemingly innocent activities with her, such as reading poetry and running through the woods), and her mother visited Michel in the evening, demanding to marry her daughter. Simagin refused, and the widow jumped onto the windowsill, threatening the poet with suicide. Forced to agree, Michel suffered a severe nervous attack that same night. His mother and aunt, in tears, wrote down his instructions regarding Petals and Forget-Me-Nots and other literary heritage. However, by the next morning he was quite well, and, having received a note from Simochka with a plea for a meeting, he went to her.
Simochka asked him for forgiveness for her mother's behavior, and they got married without any objection from Michel and his relatives. But the aunt was still dissatisfied with the haste and forced marriage. Michel's mother, a quiet, inconspicuous woman, has died, and her aunt, energetic and hoping for a speedy return of the estate and the old times in general, decides to go to Petersburg. Petersburg, people say, should soon go to Finland or even become a free city as part of some state of Northern Europe. On the way, the aunt is robbed, about which she informs Michel by letter.
Meanwhile, Michel becomes a father. This occupies him for a short time, but soon he ceases to be interested in his family and decides to go to his aunt in St. Petersburg. She meets him without much enthusiasm, because she does not need freeloaders. Not thinking of returning to Simochka, who is selflessly in love with him, writing letters to him without any hope of an answer, Sinyagin gets a modest clerical position in St. Petersburg, abandons poetry and meets a young and beautiful lady, who is parodically called Isabella Efremovna.
Isabella Efremovna was created "for an elegant life." She dreams of leaving with Sinyagin, crossing the Persian border with him and then fleeing to Europe. She plays the guitar, sings romances, spends Michel's money, and he more and more carelessly performs his official duties, for which he has a deep disgust. But he is not really capable of anything, he exists on a beggarly salary and handouts from his aunt. Soon he is fired from work, his aunt refuses to support him, and Isabella Efremovna is about to leave him. But then salvation comes: the aunt loses her mind, she is taken to a lunatic asylum, and Sinyagin begins to live on her property.
This goes on for about a year, and the aunt sinks deeper and deeper into madness, but suddenly she is brought home recovered. Michel tries to keep her out of her room so that she does not see the picture of the complete ruin that he caused there. The aunt, however, gets into her room and at the sight of desolation (for Michel managed to live almost everything with Isabella Efremovna) finally moved her mind.
Isabella Efremovna soon abandoned Michel anyway, because he had no money left, and he did not know how to serve and did not want to. So he began to beg without feeling the full depth of his fall, for "the millionaire does not realize that he is a millionaire, and the rat does not realize that he is a rat." Begging for alms (fear of such an end, like the image of a beggar, always haunted Zoshchenko), Sinyagin lives well and even allows himself to eat normally. To give himself an "intelligent look", he invariably carries a canvas briefcase with him.
But at the age of forty-two, he suddenly understands the horror of his life and decides to return to Pskov, to his wife, whom he did not remember for six years.
His wife, thinking that he had disappeared in Petrograd, had long ago married another, the head of the trust, an elderly and pale man. Seeing the lowered, dirty, hungry Michel, who opens his own gate with tears, the wife began to sob and wring her hands, and her second husband decided to take part in Michel. He is fed a hearty meal, and later they find him a place in the management of cooperatives, where he works in the last months of his life.
And then he dies of pneumonia "in the arms of his friends and benefactors" - his first wife and her second husband. His grave is cleaned with fresh flowers. With this ironic phrase, the author ends his story about the fall of an intellectual.
Mikhail Sinyagin was born in 1887. He did not get into the imperialist war because of the infringement of the hernia. He writes poems in the spirit of the Symbolists, decadent and aesthetic, walking with a flower in his buttonhole and a glass in his hand. He lives near Pskov, in the estate "Calm", in the company of his mother and aunt. The estate is soon taken away as the revolution begins, but Michel, his mother and aunt still have a small house.
Here, in Pskov, in 1919, he met Simochka M., whose father had died two years earlier, leaving six daughters in the arms of his mother, an energetic pockmarked widow. Simochka soon became pregnant by Michel (who indulged in seemingly innocent activities with her, such as reading poetry and running through the woods), and her mother visited Michel in the evening, demanding to marry her daughter. Simagin refused, and the widow jumped onto the windowsill, threatening the poet with suicide. Forced to agree, Michel suffered a severe nervous attack that same night. His mother and aunt, in tears, wrote down his orders regarding Petals and Forget-Me-Nots and other literary heritage. However, by the next morning he was quite well, and, having received a note from Simochka with a plea for a meeting, he went to her.
Simochka asked him for forgiveness for her mother's behavior, and they got married without any objection from Michel and his relatives. But the aunt was still dissatisfied with the haste and forced marriage. Michel's mother, a quiet, inconspicuous woman, has died, and her aunt, energetic and hoping for a speedy return of the estate and the old times in general, decides to go to Petersburg. Petersburg, people say, should soon go to Finland or even become a free city as part of some state of Northern Europe. On the way, the aunt is robbed, about which she informs Michel by letter.
Meanwhile, Michel becomes a father. This occupies him for a short time, but soon he ceases to be interested in his family and decides to go to his aunt in St. Petersburg. She meets him without much enthusiasm, because she does not need freeloaders. Not thinking of returning to Simochka, who is selflessly in love with him, writing letters to him without any hope of an answer, Sinyagin gets a modest clerical position in St. Petersburg, abandons poetry and meets a young and beautiful lady, who is parodically called Isabella Efremovna.
Isabella Efremovna was created "for an elegant life." She dreams of leaving with Sinyagin, moving With them the Persian border and then flee to Europe. She plays the guitar, sings romances, spends Michel's money, and he more and more carelessly performs his official duties, for which he has a deep disgust. But he is not really capable of anything, he exists on a beggarly salary and handouts from his aunt. Soon he is fired from work, his aunt refuses to support him, and Isabella Efremovna is about to leave him. But then salvation comes: the aunt loses her mind, she is taken to a lunatic asylum, and Sinyagin begins to live on her property.
This goes on for about a year, and the aunt sinks deeper and deeper into madness, but suddenly she is brought home recovered. Michel tries to keep her out of her room so that she does not see the picture of the complete ruin that he caused there. The aunt, however, gets into her room and at the sight of desolation (for Michel managed to live almost everything with Isabella Efremovna) finally moved her mind.
Isabella Efremovna soon abandoned Michel anyway, because he had no money left, and he did not know how to serve and did not want to. So he began to beg without feeling the full depth of his fall, for "the millionaire does not realize that he is a millionaire, and the rat does not realize that he is a rat." Begging for alms (fear of such an end, like the image of a beggar, always haunted Zoshchenko), Sinyagin lives well and even allows himself to eat normally. To give himself an "intelligent look", he invariably carries a canvas briefcase with him.
But at the age of forty-two, he suddenly understands the horror of his life and decides to return to Pskov, to his wife, whom he did not remember for six years.
His wife, thinking that he had disappeared in Petrograd, had long ago married another, the head of the trust, an elderly and pale man. Seeing the lowered, dirty, hungry Michel, who opens his own gate with tears, the wife began to sob and wring her hands, and her second husband decided to take part in Michel. He is fed a hearty meal, and later they find him a place in the management of cooperatives, where he works in the last months of his life.
And then he dies of pneumonia "in the arms of his friends and benefactors" - his first wife and her second husband. His grave is cleaned with fresh flowers. With this ironic phrase, the author ends his story about the fall of an intellectual.
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