You're going to look like a problem to me. Brief analysis of the poem “You are walking like me” (Marina Tsvetaeva)

The poem “Come, you look like me” was written by a young poetess in a very unusual form - this is a monologue of a dead woman. Brief analysis“You are walking, looking like me” according to the plan will help to understand why she chose such a form and other subtleties of the work. The material can be used in a literature lesson in grade 5 for deep insight into the topic.

Brief analysis

History of creation- the poem was written in 1913 in Koktebel, where the poetess was visiting Maximilian Voloshin with her husband and little daughter.

Theme of the poem- the meaning of human life and the essence of death.

Composition- one-part, monologue-reasoning consists of seven stanzas and is built sequentially from the first to the last.

Genre- Philosophical lyrics.

Poetic size- iambic with pyrrhic.

epithets – “cemetery strawberries”, “gold dust“.

Metaphor – “covered in gold dust“.

History of creation

This poem, like a number of others, was written by Marina Tsvetaeva in Koktebel, where she, along with her husband and one-year-old daughter, came to visit in 1913. The guests were received by Maximilian Voloshin, who settled them in a separate house. Voloshin's always noisy house was strangely empty that year, and the weather was more conducive to reflection than to walks, so this trip became very significant for the poetess.

Twenty-year-old Tsvetaeva was worried beyond her years by important philosophical questions, one of which she dedicated the poem “Come, you look like me.”

Topic

The work is dedicated to the meaning human life and the essence of death - this is its main theme. I must say that Tsvetaeva was superstitious and believed in the afterlife. She considered death to be only a transition into new form existence. And although a person does not know anything about this form, this is not a reason for sadness.

Composition

The seven-stanza verse develops the idea that worried the poetess all her youth - about what happens to a person after his death. Giving her thoughts the original form of a monologue on her own behalf, Tsvetaeva argues as, in her opinion, she could speak after her death already from under the gravestone.

She calls on an unknown passerby who wandered into the cemetery to stop and read what is written on her grave. And by all means pick flowers and eat strawberries, because death is not a reason for sadness, She expresses the last thought especially clearly in the sixth stanza, turning to a stranger with a request not to be sad in any way, but to think about it with ease and just as easy to forget about this episode of my life.

The last stanza is a hymn to life: a person who stands, illuminated by the bright sun, should not worry about a voice coming from under the ground, because before him is all life.

Genre

In her youth, Marina Tsvetaeva often turned to the genre philosophical lyrics to which this poem refers. The poetess was worried about many difficult questions including death. This work makes it clear that she treated her with ease and grace, as something inevitable.

The poem is written in iambic with pyrrhias, which creates a feeling of unconstrained lively speech.

means of expression

It cannot be said that this work is rich in tropes: the poetess uses epithets- "cemetery strawberries", "gold dust" - and metaphor– “all covered in gold dust”. The main role in creating moods is played by punctuation marks - dashes. They give strength to all the words of Tsvetaeva, allow you to highlight the main thoughts and emphasize the essence of the idea that she conveys to the reader. Appeal is also an important artistic device that attracts the attention of the reader and creates special form poems.

This poem by Tsvetaeva is one of the most famous. She wrote it in 1913. The poem is addressed to a distant descendant - a passerby who is young, just like she is in her 20s. In Tsvetaeva's poetry there are a lot of works about death. So it is in this. The poetess wants to contact the future.

In this poem, she represents the time when she had already died. She draws a cemetery in her mind. But it is not gloomy, as we are used to seeing it. There are flowers and the most delicious strawberries. We see a passer-by in the cemetery. Marina wants the passerby to feel at ease walking around the cemetery. She also wants him to notice her, to think about her. After all, she was the same as he "was."

Enjoyed life, laughed. But Tsvetaeva does not want the passerby to be sad looking at her grave. Maybe she wanted him not to waste time now.

Perhaps she even wants to watch how she is remembered, because Tsvetaeva believed in life after death. In general, she always treated death simply. With humility. She took it for granted, was not afraid of her. Perhaps that is why we see in her poems so often how life and death intersect.

M. Tsvetaeva is one of the most unusual and original poetesses of the 20th century. Her works are directly related to such concepts as women's perception of the world, romance, unpredictability, subtlety, they are filled with images familiar to every woman.
The poem was written by the poetess back in 1913.

The main theme of the poem

As an author, she was never far away critical issues, disturbing the minds of all the great philosophers at all times, about the meaning of human life and the essence of death itself. Tsvetaeva was sure that life should be saturated with sensual, vivid emotions. Death for her was not considered a reason to be sad, because this is only a transition to a mysterious world, and in which no one knows anything until now. The poetess asks her uninvited guest not to be sad, to perceive death in the same way as she treats it - as a natural and inevitable process. Those who have already died will always live in the hearts of those who remember them. Therefore, memory for Tsvetaeva is more important than all other aspects of her life.

Structural analysis of the poem

It has an original form and content, since it is a monologue-address of a poetess who has already died. In such an unusual way, Tsvetaeva tried to present her last refuge. The ancient cemetery, which is mentioned in the work we are considering, wildflowers and wild berries - that's how she saw it.

In her work, she addresses her descendants, more precisely, to a completely unknown person wandering around this old cemetery and looking at the tombstones.

It is worth noting that M. Tsvetaeva herself believed in the afterlife. She suggested that she could also watch this young man who became a guest in her haunt. She is trying to convey to him and to readers that you need to cherish every moment of your life, to be able to enjoy it, no matter what.

She sneers at herself, referring to a stranger, admires the new generation, resigned to death and asks him not to be afraid of her. There is not a single hint of fear of death in the poem at all. The work is light, despite the sad theme, it is easy to read, filled with happiness, joyful mood and charming images.

Conclusion

At ease and gracefully, Tsvetaeva expressed her individual attitude to death. Most likely, it was precisely such thoughts that gave her the opportunity to decide one day to die of her own free will, when she considered that no one needed her poems. The suicide of the poetess is regarded by critics as an escape from an unbearable burden for her, a desire to find peace and go to a world where there are no betrayals, betrayals, indifference and inhuman cruelty.

An analysis of Tsvetaeva's poem "You're Coming Like Me" is important in studying the work of this poetess, who left a bright mark in Russian literature. In her works, the themes of mysticism and philosophy occupy special place. The author had a heightened perception of life and death, and this theme was reflected in her most famous writings. Marina Ivanovna often thought about her death or the loss of people close and familiar to her, so the idea of ​​​​her own death received a very dramatic and at the same time bright sound in her works.

Introduction

An analysis of Tsvetaeva's poem "You're Coming Like Me" should begin with a mention of the date of its writing. It was created in the early period of her work, when romantic moods prevailed in her worldview. This also affected the content of the verse under consideration. First, the poetess addresses all those who will live after her death. The collective image of all these people is an unknown passerby who accidentally passes by her grave.

Marina Ivanovna immediately emphasizes the similarities between herself and this stranger, drawing attention to the fact that she once lived a serene life, without thinking about anything. She points out that she once cast her eyes down in thought and calls on this unknown person to stop at the grave and think about it.

Description of the grave

An analysis of Tsvetaeva's poem "You're Coming Like Me" proves the poet's specific perception of the end of her life. life path. From further text, the reader learns that the gloomy perception of death was alien to her. On the contrary, she emphasizes that flowers should grow on her grave - night blindness, wild grass stalks and strawberries.

Such a picture of the cemetery immediately evokes sad, but bright thoughts about death. The poetess deliberately creates such an image of the cemetery, wanting to emphasize that there is nothing terrible, gloomy or frightening in death. On the contrary, she is very optimistic and encourages an unknown passer-by to treat everything he sees freely and easily - the way she once treated life and her destiny.

Conversation with a passerby

An analysis of Tsvetaeva's poem "You're Coming Like Me" focuses on the dialogue of the poetess with a stranger. However, it would be more accurate to say that the verse itself is a detailed monologue of the poetess about life and death. The reader learns about the behavior and reaction of the unknown from the short remarks of the poetess, who urges not to be afraid of the grave, death, but, on the contrary, to think about it easily and without sadness. The heroine of the verse immediately takes on a friendly tone, wanting to win over the passer-by.

Judging by the further continuation of the conversation, she succeeds. The stranger stops and ponders over the grave. First of all, Marina Ivanovna urges him to pick some flowers, eat strawberries and read the inscription about the life of the one that lies in the grave near which he stopped.

Story of life

In Tsvetaeva’s poem “You’re Coming Like Me,” an important place is occupied by a story about the life of the deceased. The author draws her fate in just a few phrases. According to the author, the deceased woman was cheerful, had a carefree character, and loved to laugh. These character traits are reminiscent of Marina Ivanovna herself. She emphasizes that the deceased woman was a rebel by nature, as she loved to laugh where it was impossible. Therefore, the author also urges the passer-by not to be sad over the grave, as is customary, but to smile and just think something good about the deceased.

The image of the heroine and the passerby

The main theme of Tsvetaeva's poem "You're Coming Like Me" is a discussion of life and death. An important role in the disclosure of this idea is played by the disclosure of the image of the deceased woman, with whom the poetess associates herself. Her appearance remains unrevealed, the reader only learns some details that nevertheless allow him to better understand her. Marina Ivanovna mentions only the curls that disobediently flowed into her face, as if emphasizing her obstinate and stubborn disposition. In addition, the description of a smile, which gives a light and relaxed tone to the entire verse, is of particular importance in the work.

The idea of ​​Tsvetaeva's poem "Come, you look like me" is revealed closer to the finale. It is in the last quatrain that the author shows his attitude to the memory of his descendants. From the final part of the verse it is clear that she does not count on recognition, glory or honor. She just wants to be remembered sometimes as a woman who easily, freely lived her life. She obviously does not want her name to be respected, she likes to have some unknown person at her grave remember her with a kind word. That is why the image of an unfamiliar passerby is described in very light colors. The author emphasizes that he is flooded sunlight despite the fact that he stopped at the grave. So, the poem in question is one of the most famous works of the poetess, in which the theme of mysticism has become decisive.

You need to read the verse “You are walking like me” by Marina Ivanovna Tsvetaeva, one of her most famous works, knowing that it was written in 1913. The lyrical heroine depicted by the author is a deceased poetess who rests in the old cemetery and addresses the one who examines the tombstones. But it is not necessary to consider that the work is sad. If you carefully read it in a literature class in the classroom, you can see that she likes both the resting place and the afterlife - it’s just that the poetess is a little jealous of someone who can walk like that.

If you study the text of Tsvetaeva’s poem “You are walking like me” with attention to detail, you will notice that she sympathizes with the passerby - he should not be afraid of her ghost, she wants the walk to be calm and relaxed. And it is precisely the feeling of peace that leaves behind this work, read online in full. Speaking about herself in the past tense, Tsvetaeva is not sad, because she knows for sure that she will live her life the way she wants. And therefore, the only thing that the poetess, who treated death gracefully and naturally, is sad about is that you can’t live forever. It is impossible not to feel the light and joy that fills the poem.

You go, you look like me
Eyes looking down.
I dropped them too!
Walker, stop!

Read - chicken blindness
And poppies typing a bouquet -
That they called me Marina
And how old was I.

Don't think that here is a grave
That I will appear, threatening ...
I loved myself too much
Laugh when you can't!

And the blood rushed to the skin
And my curls curled ...
I was too, passerby!
Walker, stop!

Pick yourself a wild stalk
And a berry after him:
Cemetery strawberries
There is no bigger and sweeter.

But just don't stand gloomy,
Lowering his head to his chest.
Think of me easily
It's easy to forget about me.

How the beam illuminates you!
You're covered in gold dust...
And don't let it bother you
My voice is from underground.