Types of alien ships. Alien races - on earth - alien ships
Ancient Egypt is one of the most mysterious civilizations in human history. He left behind clear evidence of the existence of infrastructure and technologies that were unusual for that time (as far as modern scientists know). At present, people are still fascinated by what ancient Egypt was able to achieve, and it is still a mystery how the Egyptians managed to do such complex things with their modest technology.
Modern science still cannot explain some of the achievements of the Egyptians, one of which is the creation of the pyramids. A number of scientists and conspiracy theorists argue that this would not have been possible without the intervention of aliens who allegedly actually visited Egypt in the past. They also claim that there are irrefutable signs pointing to this.
1. Building the pyramids
It's worth starting with the obvious. How the ancient Egyptians managed to build pyramids, and in such numbers. To build such tombs of the pharaohs, millions of blocks of stone were required, each of which weighed tons. According to specialist Richard Koslow, only ten people could lift one stone (more simply would not fit due to the size of the block), but each would have to lift 400 kilograms. It's practically impossible.
The second question is how the Egyptians achieved such amazing accuracy in building the pyramids. The blocks were cut so precisely that it seems that computers and special machines were used for this.
2. Electricity
After the ancient Egyptians, many hieroglyphs of great historical and artistic value remained. But that's not the most important thing about them. There are drawings that caused real amazement among modern people, especially among those interested in ancient Egypt. An example would be an image showing people holding an electric lamp or a light bulb. But how the ancient Egyptians knew about electricity is a mystery.
3. Hieroglyphs with aircraft
The image of a light bulb is far from the only interesting ancient Egyptian hieroglyph. There are images of even more advanced technologies. For example, there are images that are strikingly similar to modern helicopters and planes, which raise even more questions about the development of Egyptian technology.
4. Aliens on ancient coins
During the reconstruction of a house in Egypt, coins were found that had very unusual portraits. One resembles the head and shoulders of an alien. The image on another coin shows an alien spaceship, or at least something very similar to one. Although many people oppose this theory, such coins do exist.
5 Alien Mummy
Another sign often cited by proponents of claims that ancient Egypt was visited by extraterrestrials is a mummy that was recently discovered in a small pyramid near that of Senusret II. Her skeletal structure is not similar to that of a human body, and her face looks especially alien. The mummy was found by Dr. Victor Luebeck, a former professor at the University of Pennsylvania.
The remains were found surrounded by unusual objects, and could not be identified. An anonymous source claimed that the mummy was clearly not from Earth, and that she greatly alarmed the Egyptian authorities, who want to keep it a secret. According to the source, during his lifetime this "creature" was called Osirunet and he was an adviser to the pharaoh. This mummy isn't the only discovery that has fueled alien rumors.
6. Pyramids of Giza
The pyramids of Giza are not located at random. The three pyramids fit perfectly with the stars in Orion's belt, and even the size of these pyramids correlates with the brightness of the stars. Two pyramids are identical in size, and the third is half as high as them, in the same way, two stars in Orion's belt are the same in brightness, and the third is half as bright as them.
The pyramids are even located in an almost perfect line with the North magnetic pole. Such positioning of the pyramids would require a vast knowledge of science, geometry and astronomy, comparable to modern ones.
7. Akhenaten
Akhenaten was potentially one of the biggest religious innovators in human history. The Egyptian pharaoh who lived and reigned during the 18th Dynasty is known as the ruler who transformed Egypt from a society with many gods to a monotheistic society. The god worshiped by the pharaoh was called Aten or the Sun disk.
Akhenaten's devotion to his god even pushed him to create an entire city for the Aten - Amarna. In the legends of that time, it was indicated that the pharaoh was visited by creatures from the sky. In some traditions, it was even indicated that he was one of these beings. Akhenaten brought a religious and social revolution to Egypt and led to the beginning of a new era for the nation.
8 UFO Recordings
The Tully Papyrus is potentially the best primary source that describes the presence of extraterrestrials in ancient Egypt. The papyrus allegedly contains sightings of UFOs during the time when Thutmose III ruled Egypt. The man who wrote the papyrus claimed that a fiery disk descended from heaven. Then several such disks appeared, which shone brighter than the Sun. A few days later, the objects disappeared from the sky.
9. Hieroglyphs on a spaceship
Another major factor that has raised a lot of questions about aliens in ancient Egypt is the alleged discovery of Egyptian hieroglyphs on both the Roswell UFO and those seen in Randlesham Forest in the 1980s. Allegedly, these symbols coincide and are very similar to the ancient Egyptian ones.
10 Ancient Artifacts
Ancient artifacts allegedly found in former home Sir William Petrie, known as Flinders Petrie, who is considered one of the best Egyptologists in history. Items found in his old home in Jerusalem were rumored to be of unearthly origin. Among these items were two mummified bodies of supposedly extraterrestrial beings, as well as items with symbols that cannot be explained. The artifacts were moved from Petri's house to the Rockefeller Museum in Jerusalem and are said to be kept secret.
Huge interest among scientists and researchers ancient world call and .
Connecting with Hollywood
“Interesting scenario,” said one of our PR team [at Wolfram]. We are used to getting requests from film companies to show our graphics or posters or books in films. But this time it was different: we were asked if we could quickly create realistic things for a big Hollywood sci-fi movie project that is about to start filming?At our company, unusual tasks usually end up in my inbox. It so happened that, thanks to a combination of leisure and professional interest, I've seen virtually every mainstream sf movie in the last few decades. But based on the working title The Story of Your Life, I couldn't even figure out if it was going to be a sf movie or what it would be about.
Then, when I found out that the film was about the first contact with aliens, I said, “Of course, I will read the script.” And, yes, the script was interesting. Difficult but interesting. It was not very clear to me whether the film would be more about SF or about love. But it did have interesting references to science - albeit mixed with nonsensical nonsense, and occasionally there were also scientific blunders.
When I watch sf movies, I often get frustrated thinking "someone spent $100 million on a movie and made such terrible scientific mistakes that would have been so easy to fix if they had asked the right person." So I decided that even though I'm very busy, I need to participate in what is now called "Arrival" and contribute as much as possible to the scientific approach.
I think there are several reasons why Hollywood films don't take a proper scientific approach. Firstly, filmmakers do not feel the scientific background of their films. At the everyday level, they can figure out that something is wrong - but in the case of scientific approach their knowledge is lacking. Sometimes they call the local university and ask for help, but often they are sent to a highly specialized academic whose only help is to tell them that their whole story is wrong. Of course, more often than not, following the science doesn't make much of a difference in a film's success. But it seems to me that such following can help turn a good film into a great one.
Our company has experience working with Hollywood, for example, we wrote all the mathematics for six seasons of the television series Numb3rs. Personally, I had not been involved in films before, but many of my friends worked in films. Jack Horner worked on Jurassic Park, and as a result, he is behind almost all paleontological theories, including those that turned out to be false. Kip Thorne (famous for the recent triumph of discovering gravitational waves) was the main force behind the movie Interstellar. He also made the original effects for the black hole using Mathematica. He was preceded by Marvin Minsky, who was a consultant on 2001: A Space Odyssey, and Ed Fredkin, who became the model for the eccentric Dr. Falken in War Games. Then there's Manjul Bhargava, who spent ten years nurturing the idea for The Man Who Knew Infinity and followed the math during filming.
All of these people were involved in making films at a very early stage. But I decided that if I get involved in the film before the shooting starts, I will have the advantage of knowing that the film is likely to be made. At the same time, my role was clear - I only needed to trim the science in the film. I didn’t even have to think about changing something serious in the plot.
The inspiration for the film was a 1998 short story by Ted Chiang. But the concept of the story was complex, stemming from a rather technical idea in mathematical physics - and I wasn't the only one wondering how a movie could be made out of it. But here it is in front of me, a 120 page script that contains some of the science from the original story, and adds a lot of other stuff. And I got to work, commenting, giving advice, suggesting corrections, and so on.
A few weeks later
My son Christopher and I arrived at the film set in Montreal. The next X-Men movie is being filmed in a large pavilion next door. The "Arrival" pavilion is more modest. We arrive there at the moment when the group is filming a scene in a helicopter. We don't see the actors, but we watch what's happening on the monitor along with a couple of producers and other people.The first thing I hear is "I prepared a list of questions [for aliens], starting with a few binary sequences ...". And I’m like, “Wow, that’s exactly what I suggested! Cool!". But then there is a new take. And change the text. And more duplicates. And yes, the dialogue sounds better. But the meaning is not the same. And I understand that it will be harder than I thought. Lots of compromises. Lots of complications. Luckily, the film ends up with good dialogue and the right message.
After a while, a break in filming is announced. We're talking to Amy Adams, who plays a linguist who communicates with aliens. She's been following a local professor of linguistics for a while, and she talks passionately about how much the language used determines thinking - a topic I've been interested in for a long time as a computer language designer. But the producers want me to talk to Jeremy Renner, who plays the physicist. He feels out of sorts, and we go with him to the "science tent" built for filming and think about good visual details.
We write the code
The script offers many possibilities for creating interesting scenes. But, despite the fact that I would be interested in creating them, I did not have time for this. Luckily, my son Christopher, a fast and creative programmer, has taken an interest in it. At first we thought about sending him to work on location, but because he was still very young, he started working remotely.The strategy he chose was simple: “if we really did this, what kind of analysis and calculations would we do?”. We had a list of alien landing sites - what is the scheme for choosing them? We have the geometric shape of a spaceship - what does it mean? We have a text "written" by aliens - what does it mean?
Filmmakers gave Christopher raw data, as in real life, and he tried to analyze them. And he turned each question into different versions of code and visualizations for the Wolfram Language.
Christopher knew that often the code from the movies doesn't make sense (most of all, regardless of the context, filmmakers like the nmap.c sources on Linux). But he wanted to make meaningful code that actually analyzes what is happening in the film.
The final version of the film included a mixture of the code created by Christopher, some of its derivatives and separately added texts. Sometimes you can see the code. For example, there is an interesting shot with an analysis of the writing of aliens, where you can see quite elegant Wolfram Language code in a Wolfram Language notebook. And the specified code does exactly what is specified in the notebook. This is real code with real calculations.
Theory of interstellar travel
When I first saw the script, I quickly realized that in order to get coherent advice, I needed to develop a coherent scientific theory of what was happening. Unfortunately, there was very little time - in the end, I, in fact, had one evening in order to invent a plausible way of interstellar travel. Here is the beginning of a comment I wrote for filmmakers that evening (I won't quote it in its entirety to avoid spoilers):All these physical details were not directly involved in the film. But in order to give coherent script advice, it was useful to think through all of them. And they also led to various dialogues that sound quite sci-fi. Here are a few phrases that were not included (perhaps for the better) in the final version. "The whole ship moves through space like one giant quantum particle." "Aliens must be manipulating the entire space-time network on Planck scales." "Spatio-temporal swirls are created around the ship's covering." “As if the coating of the ship consists of atoms an infinite number types, and not just from the 115 known to us ”(this phrase should have referred to a laser beam reflected from the coating of the ship in the form of a rainbow). For a "real scientist" like me, it was very interesting to come up with. I felt a kind of release. Especially since one of these sf dialogues could lead us into a long and serious physics discussion.
For cinema, some definite theory of interstellar travel was required. And who knows, maybe in the distant future it will turn out to be true. But so far we don't know. In general, there may be some "hack" of existing physics that will allow us to instantly make such travel possible. For example, in 1982 I was working on a theory that would allow us to continuously extract "zero point energy" from a vacuum. Over the years, this simple mechanism has become one of the most cited sources of power for interstellar travel, although I don't really believe in it myself.
Perhaps there is a more prosaic way to send a small spacecraft at least to those closest to the stars, propelling it with the pressure of laser light. Or you can tame black holes, create curvature of space-time, even consistent with Einstein's theory of gravity. It is important to understand that even if we know the fundamental theory of physics, we may not immediately understand whether it is possible to provide faster-than-light travel in our universe. Is it possible to somehow line up quantum fields, black holes, and anything else? Computational irreducibility states that there is no upper bound on the complexity of such a system. As a result, you can use all the computational capabilities available during the life of the Universe, not invent the desired structure, and not know for sure whether it is possible in principle.
Physicists - what are they?
Coming to the set, we sooner or later meet Jeremy Renner. He sits on the steps of his trailer, smoking, looking exactly like the bold characters in many of his adventure films. I'm thinking about how to best describe what physicists are like. I come to the conclusion that you just need to start talking about physics. So I begin to explain the theories related to the film. We talk about space, time, quantum mechanics, travel faster than light, etc. I'm adding a few stories from Richard Feynman about the work of a physicist "in the field" on the Manhattan Project. The discussion is vigorous, and I wonder if my mannerisms and features are similar to those typical of physicists. I can't help but remember Oliver Sacks telling me how eerie it was for him to see how much manner Robin Williams took from him for Awakening after a very short interaction, and I wonder what Jeremy can take from me in those few hours.Jeremy seeks to understand how science is connected to the film's plot, and how both aliens and humans might feel. I'm trying to talk about how it is - to understand the nature of things in science. Then I understand that it would be better to show by demonstrating live code for the Wolfram Language. It turns out that Jeremy in the movie himself needs to use the Wolfram Language (as do - I'm very happy to say this - a lot of real-life physicists in life).
Christopher shows the code he wrote for the film and how the dynamics controls work. Then we talk about how the code comes up. We do some tests. Then we write the code live. And here is our first example - based on the digits of pi, which we discussed in relation to the SETI project
What to say to aliens
Part of the film is dedicated to interstellar travel. But the theme of communications with aliens when they have already arrived is more developed in it. I have thought a lot about alien mind. But for the most part, not in the way it is presented in the film - but in a more difficult case when we do not have aliens or spaceships, but only a certain stream of data, for example, a radio transmission, from which it is difficult to even understand whether it can be considered evidence of intelligence. Recall that often even the behavior of such a phenomenon as the weather seems to us complex enough to give the impression of consciousness.But in Arrival, the aliens are already there. And how do you start talking to them? We need something universal, not dependent on details human language or history. OK, if you encounter aliens, you can point your finger at physical objects. Of course, this assumes that the aliens have concepts of individual objects instead of some kind of continuum, but you can bet on this, since they managed to create spaceships. But what if you need to be more abstract?
You can always turn to mathematics. But is it really universal? Do ship builders need to know about prime numbers, integrals, Fourier series? Of course, in the development of human technology, these things are indispensable. But are there other, perhaps better, technological paths? I think yes.
From my point of view, the most general abstraction that has to do with how the universe works is what we get when we consider the computational universe of possible programs. There is also mathematics. And an endless variety of other abstract rule sets. And I realized some time ago that many of them make sense - and are well suited - for creating technology.
So, looking at the computational universe of possible programs, what are the reasonable universal things to start an abstract discussion with aliens?
Since we can point to individual objects, we can start talking about numbers, first unary, then perhaps binary. Here is the beginning of the notes I made for the film. Words and code are for people, but for strangers they are just cards with graphics.
What comes after numbers and arithmetic? Interestingly, even what we have already discussed does not reflect the history of human mathematics. Despite the fundamental binary numbers(appearing even in such old materials as the I Ching), they have gained popularity recently - after the appearance of much more complex mathematical ideas.
So we don't have to follow the history of mathematics or science, or even the order in which they are taught. We need to find something that can be understood directly, without the use of words. What we would learn, for example, by looking at an artifact mined from the ground at an archaeological site.
It turns out that there is a class of computing systems that I have studied for several decades, which, in my opinion, is excellent for this role - cellular automata. They are based on simple rules that can be explained visually. They work by repetitive application of rules, and often result in complex structures - which, as we know, can be the basis of all sorts of interesting technologies.
By watching a cellular automaton, one can begin to build an idea of the whole world, or, "A new kind of science" - that's how I called the book about these things. But what if we need to convey more traditional ideas about science and mathematics? What should we do?
Maybe start with 2D geometric shapes. Gauss in 1820 proposed to draw in the Siberian forest [more precisely, to plant trees in a special way in the tundra - approx. transl.] a diagram representing the Pythagorean theorem for aliens to see.
But it's easy to get into trouble here. You can show the Platonic solids. 3D printer printouts will do. But two-dimensional drawings with perspective depend on how the visual system works. Networks are even more complicated - how do we know that these lines connecting dots represent abstract connections?
Maybe one can show the theorems of logic. But how do you represent them? You need a symbolic representation - textual, using trees, or something else. We know from computational examples that logic is not an ideal starting point for introducing general concepts. But in the 1950s this was unknown, and there is a fascinating book that tried to build a language for communicating with aliens based on logic.
What about concepts with numbers? In the film "Contact" prime numbers became key. Despite their importance in the history of mathematics, they are not particularly needed in modern technology, and where they are used (cryptoprotection) their appearance seems to be accidental.
In a radio signal, prime numbers can be good evidence of intelligence. But of course, they can be generated by programs - and quite simple ones, including the same cellular automata. The sequence of prime numbers does not automatically mean that it was created by an intelligent civilization. They could have come from some "natural" program.
Visually, prime numbers are easy to show. But further work with them requires concepts that are no longer easy to show directly.
It is very easy to fall into the trap of things that are obvious to a person. One of my favorite examples is Pioneer 10, a human artifact that has advanced farthest in space (today it is almost 18 billion km, or 0.05% of the distance to Alpha Centauri). There is a plate on it, which shows the 21 cm spectral line of hydrogen. Today, the most obvious way to represent this would probably be a line 21 cm long. But in 1972, Carl Sagan and others decided to do something "more scientific" and made a schematic diagram of the quantum mechanical process leading to the spectral line. The problem is that the diagram is based on human conventions—for example, the use of arrows to denote quantum spins—which are irrelevant to the concepts being described and are very specific to the development of human science.
Let's go back to Arrival. To ask a question like “what is your purpose on earth?” one has to go much further than binary sequences or cellular automata. This is a very interesting problem, which is strangely similar to the very important task today of communicating with AI and determining what goals and objectives they should have.
In a way, AI is now a bit like alien intelligence. So far, we understand only human intelligence. Each example of its application contains details of human conditions and human history. But what does intelligence look like without sharing these details?
One of the conclusions of the science I have been involved in is that there is not a very clear line between intelligence and computational results. The same cellular automata or the weather do things that are comparable in complexity to the brain. In a sense, they "think". But not like people. They don't have our context and our details.
But to communicate on topics such as goals and objectives, we need to find common ground. In the case of AI, I'm working on what I myself call "symbolic communication language", a way to express concepts that are important to humans and communicate them to AI. There are immediate practical applications for this, like smart contracts. But there is also long term goals, like creating an analogue of the constitution for the behavior of AI.
When communicating with strangers, we need to develop a common universal language that allows us to express concepts that are important to us. It's not easy. Natural languages are based on the details of human circumstances and history. My symbolic language tries to convey things that are important to people - not what might be important to strangers.
In "Arrival" it is already known that the aliens have something in common with us. Like the monolith in 2001: A Space Odyssey, we are judging by the shape that the alien spaceships are artifacts. They don't look like strange meteorites. They look like something made on purpose.
But with what? Intent cannot be defined in the abstract. This can only be determined in relation to the historical and cultural platform. And in order to ask strangers about their goals and objectives, we first need to understand what cultural and historical platform we are on.
Sometimes I think about the day when we can develop AI so much that we can ask it a question about their goals. I think we are in for a disappointment. Because, in my opinion, there is no meaningful abstract definition of purpose. And AI will not tell us anything unexpected. His definition of purpose will be a reflection of his history and context. And over this, as the creators of AI, we have serious control.
But that's not the case with aliens. But the movie is about that too.
filming
All my life I have been involved in big projects. And I've always been interested in how different big projects are organized. I'm one of those people who watches movie credits all the way through. So it was interesting for me to look at the filmmaking project up close.In terms of scale, filming a movie like Arrival is a project comparable to the release of a new full version of the Wolfram Language. There are both similarities and differences here.
Both projects have ideas and creativity. Both involve sharing many different skills. Both must come together to release a cohesive product.
In a sense, filmmakers have it easier than programmers. They only need to do one thing that they can just look at. In the case of software, and especially with language development, we need to do something that different people can be used in an infinite number of different ways, including ways not intended by us. Of course, you can always make new versions of the software, gradually improving it. A film can only be made once.
When it comes to HR, software is easier to work with than movies like Arrival. Well-managed software development has a constant rhythm, people have constant jobs and constant teams for a long time. Filming usually involves a large number of people, many of whom may not have met each other before, for a short time. It's amazing that it works at all. I think over the years a lot of the tasks in the film industry have been standardized so that a person can work on something for a week or two and then successfully hand it off to someone else.
I have managed several releases of full-fledged software. And one would think that now any such release would be a simple and calm process. But he never is. Perhaps because we are always trying to do new and innovative things. Or because that's the nature of projects. But I found that in order to bring the project to good quality I always need to work really hard. At least in the case of our company, extremely talented people are always working on a project. But there are always unexpected tasks that take a lot of energy, concentration and effort.
Sometimes it seemed to me that our process is a bit similar to making films. AT early years In the existence of Mathematica, we even had titles that looked like cinematic ones. Only the categories of contributors I often came up with myself ("module lead", "expression formatting", "font lead", ..). But ten years later, because of the many patches, it became too difficult to figure it out, and the credits disappeared. And yet, for a while, I tried to organize graduation parties, just like the movie people. But there were always some critical issues or improvements, and key developers could not come to the party because they were fixing them.
Software development - or at least language development - has some structural similarities to filming a movie. It all starts with a script - a general specification of the final product. Then we try to create it. Inevitably, in the end, looking at the result, we understand that we will have to change the specification. In films like "Arrival" this happens at the final stage (post-production). In software development, this is the next development step.
I was interested to see how the script and my proposals went through the life cycle of "Arrival". It reminded me how I lead software development: everything is gradually simplified. I'm making a detailed comment about the dialog fix. "You shouldn't talk about avoiding reckoning, your character is too analytical." “You don't have to say that the spacecraft traveled a million light years. It will be out of the galaxy. Say a trillion miles instead." Changes are being made. But then everything is simplified, and the main idea is conveyed in a certain minimalist way. I didn't see all the steps, but the results reminded me a lot of software development - cutting down on all the complexity and making everything as clear and simple as possible.
Can you complete the board?
My contributions to Arrival mostly happened during the filming of the film in the early summer of 2015. Almost a year after that, I heard that the film was in its final stages. But all of a sudden, in May, I got an email: can I fill the board with believable physics in a quick way for the movie?There's a scene in the movie with Amy Adams in front of a blackboard, and it turned out that what was written on it was about high school physics - not what you would expect from physicists at the level of Jeremy Renner's character.
I was surprised because I realized that I did not have to work very hard on the whiteboard for markers. I used computers for all my work and presentations for 30 years, and before that I used chalkboards and film projectors. But I honestly set up a whiteboard in my office and began to write on it (and I rarely write by hand anymore) what I thought a good physicist should have written when trying to understand the sudden emergence of interstellar travel.
Here's what I came up with. Empty gaps are made to make it easier to fit Amy Adams moving in front of the board. For the final version of the film, the board was rewritten again, so in the film it differs from the photo below.
I imagined myself in the place of the character Jeremy Renner or his colleagues, who write down worthy spaceship ideas and their corresponding formulas. After a while, I got a good story from physical facts and hypotheses.
1. Perhaps the ship has such a strange shape, since it rotates during movement and creates gravitational waves.
2. Perhaps it is optimized to maximize the intensity of some pattern of gravitational radiation.
3. Einstein's formula for the strength of gravitational radiation emitted by a mass with a changing distribution. Q ij - quadrupole moment of distribution, calculated from the specified integral.
4. Elements higher order, depending on the higher-order multipole moments , calculated by the indicated integrals of the ship's mass density ρ(Ω) weighted by spherical harmonics .
5. Graviwaves will lead to changes in the structure of space-time, represented by a 4-dimensional tensor h μν
6. It is possible that the ship is somehow "floating" through space-time, powered by the effects of these gravitational waves.
7. It is possible that gravitational turbulence is created around the covering of the ship's hull, with power-law correlations, similar to those that arise around objects moving in liquid (or the ship "boils" the space-time around it).
8. Papapetrou's equation for the evolution of the spin tensor in general relativity as a function of time τ.
9. The equation of geodesic motion, which describes the motion of objects in curved space-time. Γ is the Christoffel symbol, determined by the space-time structure. And yes, these equations can be solved using NDSolve in the Wolfram Language.
10. Einstein's equation for a gravitational field generated by a moving mass (the field determines the movement of the mass, which itself affects the field).
11. Another idea is the negative mass of the spacecraft, or at least negative pressure. The photon gas pressure is 1/3 ρ; the most common version of dark energy has a pressure of -ρ.
12. The equation for the energy moment tensor, which defines the combination of mass, pressure and velocity, occurs in relativistic calculations for ideal fluids.
13. Perhaps the ship is a bubble with a different space-time structure. The arrow points to the shape of the ship drawn earlier on the board.
14. Do the Christoffel symbols (“coupling coefficients on tangently stratified space”) matter for the shape of the ship, as calculated from its spatial metric tensor ?
15. A gravitational wave can be described as a perturbation of the space-time metric with respect to the flat background of the Minkowski space, on which SRT operates.
16. Graviwave propagation equation, taking into account the first few non-linear effects due to which the wave affects itself.
17. The relativistic Boltzmann equation describing the motion and collision in a Bose-Einstein gas of particles such as gravitons.
18. An abstract idea: it is probably possible to create a "laser" from gravitons instead of photons, and the ship works on this principle.
19. Lasers are a quantum phenomenon. This is a Feynman diagram of the interaction of gravitons in a cavity (photons do not have such direct non-linear interactions with each other).
20. How to make a mirror for gravitons? Perhaps this is a metamaterial with a special microscopic structure up to the Planck scale.
21. Lasers are used from superpositions of an infinite number of photons, formed by infinitely nested creation operators applied to the theoretical vacuum of a quantum field.
22. There is a Feynman diagram for this: it is a self-consistent Bethe-Salpeter equation for a bound graviton, which can be coupled to a graviton laser.
23. Basic nonlinear interactions of gravitons in the perturbed approximation of quantum gravity.
24. Possible refinement term for the Einstein-Gilbert action from GR for quantum effects.
I realize these explanations themselves may sound like alien language! But even they are rather modest in comparison with the language of "full-fledged physics". Let me explain in a simpler way the physical story from the blackboard.
It begins with the obvious property of the ship: it has an unusual asymmetrical shape. It looks like a celtic stone that can start spinning in one direction and then change direction. And I thought: maybe the ship is spinning. And any massive non-spherical rotating object will create gravitational waves. Usually they are too weak to detect, but if the object is massive enough or the rotation speed is large enough, then the waves can also be strong. Indeed, last year, after a 30-year search, gravitational waves from two black holes rotating around each other and merging were discovered - and they turned out to be detected at a distance of a third of the observable Universe. Accelerating masses create gravitational waves in the same way that accelerating electrical charges create electromagnetic ones.
Let's imagine that the ship is spinning rapidly so that it creates a lot of gravitational waves. What if we could trap those waves in a confined space using the movement of the ship itself? Then we would get interference. But what if they are coherently amplified, like in a laser? Then they will become stronger and begin to influence the movement of the ship - perhaps pushing it through space-time.
But why will the waves get stronger? In a conventional laser using photons (particles of light), it is necessary to constantly create new photons by pumping energy into the material. Photons are Bose-Einstein particles (bosons), so they tend to "behave the same way" - so laser light is a coherent wave. Electrons are fermions, which means they try not to do the same thing, which leads to the exclusion principle, which is critical for the stability of matter.
One can imagine that light waves are made up of photons; similarly, gravitons can be composed of gravitons (although we do not yet have a complete theory for them). Photons do not interact with themselves - simply put, because photons interact with particles such as electrons that have electric charge, and photons have no charge. Gravitons interact with each other - due to the fact that they interact with everything that has energy, and they themselves have it.
Such nonlinear interactions can lead to unusual effects. For example, gluons in quantum chromodynamics interact non-linearly in such a way that they remain trapped inside particles such as protons, as if "glued" together. It is not entirely clear what the nonlinear interactions of gravitons will lead to. Perhaps a self-sustaining "graviton laser".
The formulas above describe the creation and effect of gravity waves. The lower ones relate to gravitons and their interactions. The upper ones belong to general relativity. The lower ones are a mixture of classical and quantum approaches to gravitons and their interactions. The diagrams are Feynman diagrams, schematically showing the propagation of gravitons through space-time.
I don't know if a graviton laser is actually possible, or how it would work. But in a conventional photon laser, the photons essentially bounce around inside a cavity whose walls act like mirrors. Unfortunately, we do not know how to make a mirror for gravitons - just as we do not know how to close ourselves from the gravitational field (dark matter would be such a shield, if it really exists). On the board, I pointed out my guesses on the possibility of making a Planck-scale metamaterial of 10 -34 meters (where quantum effects become important for gravity) that could act as a mirror for gravitons. Another possibility is to operate a graviton laser on the principle of a free electron laser without cavities.
Remember, I wanted to write on the board what a good physicist plucked from a government lab might think when confronted with the situation in the movie. These are more "conventional" things compared to what I personally came up with for interstellar travel. But this is because my theory depends on my other ideas about the work of fundamental physics, which have not yet become generally accepted in the physical society.
What is the correct theory for interstellar travel? I dont know. I would be very surprised if the main theory I came up with for the film, or the theory on the blackboard, turned out to be correct. But who knows? Of course, it would be very helpful if aliens flew to us in spaceships to show us that interstellar flights are possible.
What is your purpose on earth?
If aliens appear on Earth, one of the obvious questions will be: why are you here? What is your goal? The characters in the film talk about this a lot. And when Christopher and I were on the set, we were asked to make a list of possible answers that could be put on the board or on the tablet. Here's what we came up with:
Colonization.
Mining.
Trade.
Philanthropy.
Evangelism.
Tourism.
conquest and expansion.
Zoology, ethnology, geology.
Expansion of the interstellar communication network.
Mapping the Universe.
Curiosity.
Education.
Technology test.
Finding shelter.
Accident.
ritual tradition.
Something incomprehensible to people.
Just.
I have already noted that the principle of purpose itself is something closely related to cultural and other contexts. It is interesting that when compiling such a list at different historical moments, people would place different items on it. It is also interesting what goals AI and humans may pursue in the future. Perhaps I am overly pessimistic, but it seems to me that for future humans, AIs and aliens, the answer to this question will lie in the computational universe of possibilities - for which we have no words and concepts today.
And that's the movie
The movie turned out to be quite good, early reviews are encouraging. It's very interesting to see things like this (and Christopher's code) in it:
It was interesting to participate in its creation, it stimulated. I have a better understanding of what it takes to make all the films I watch - and what it takes to combine science with exciting fiction. I also started asking scientific questions, to which I had not reached before - connected with all those things that are interesting to me.
I can't help but think about what it would be like if aliens actually arrived on Earth. I like to think that having participated in the creation of "Arrival" I am a little more ready for this. And of course, if their ships are going to look like giant Celtic rocks, we already have some pretty good Wolfram Language code for that.
"V", as you know, primarily means Victory (Victory), although it can also symbolize a change in the vector of direction - bifurcation, split.
If a we are talking about victory, then, at first glance, it is not at all surprising that almost all space agencies in the world use this stylized sign in their logo:
I just can't believe that this is exactly what they want to tell us. Why is V upside down everywhere? Most likely, we are talking about a stylized compass - Masonic symbols, or the horns of their patrons, although there are other confusing theories in which normal person never fully figure it out.
For example, there is the theory of the "Lunar Matrix", which implies that there are some devices on the moon that direct zombie beams at us. These rays, as some seers say, are two: one for each pole. Isn't that what the logos of space agencies are talking about?
And does all this have to do with the following famous signs?
Who do they show it to, guess?
There were suggestions that they show this to the devil - the reptilians, in short, but it was not there.
The session held on this topic showed that in fact the letter V takes its origins from Atlantis, and it is shown, respectively, by the descendants of the Atlanteans, or those who are "in the know." This means the very top of our so-called. elite - Committee of 300, high priests, heads of state, and financial-industrial oligarchs. In view of the fact that the entire space industry is under the control of these people, they stamp the logo accordingly.
There's this book, by Lawrence R. Spencer, called Alien Interview.
I advise you to read at your leisure, very interesting material, although I do not believe in the declared source, and there is too much water with inconsistencies.
Most likely, this is disinformation under the cover of a large amount of truth.
In a nutshell, we are talking about an interview that was allegedly taken from an alien from a plate that fell in Roswell in 1947.
In this interview, an entity named Airl makes it clear that humanity is under the hood of some kind of slave civilization, which the Airl race is opposed to throughout the galaxy and beyond. So Airl is our friend, or at least that's how it appears to us.
Region is a race or civilization in which Airl is an officer, pilot, and engineer. In today's language - Galactic Federation of Light. At least it is they (SFS) who promise their imminent arrival and promise to take those who wish to the ships, and most of all resemble the Region according to the description given in the book.
Symbol Areas represents origin and limitless limits known universe, united and merged into a vast civilization under the control of Areas.
This symbol is very resembling, however, you do not find? (See on page 17 of Lawrence R. Spencer, Alien Interview):
Also, one should not forget the already well-known symbol of Anarchy:
So...
As for the logo Areas(letter A in a circle), in the session it was said something like this: at one time the grays proposed some kind of alliance dark civilization. Together with this union, a logo similar to A was also created. Apparently, it has nothing to do with V, although the descendants of the Atlanteans could well stylize the existing logo for themselves.
From all this it follows that the race (or Federation) behind this symbol is a spreader of misinformation (for example, through the aforementioned book), and they should not be trusted, as other sources, such as George Cavassilas, claim.
But let's get back to Vendetta.
There is also a short rhyme used in the film, which should be quoted here:
This is nothing more than a ballad poem that is still recited during Guy Fawkes Day celebrations:
Remember, remember the fifth of November, Gunpowder Treason and Plot,
I see no reason why the gunpowder treason should ever be forgot.
The translation goes something like this (literally):
I remember not in vain, on the fifth day of November, the gunpowder plot.
Centuries pass, but sorrow and longing always remain with me.
Initially, this poem was written on the day of the celebration of the anniversary of the gunpowder plot, about which the following is known ( Wikipedia ):
The Gunpowder Plot of 1605 was an unsuccessful attempt by a group of English Catholics to blow up the Houses of Parliament in order to destroy King James I, who sympathized with the Protestants and undertook a series of repressions against Catholics. The explosion was planned to take place on November 5, 1605, during the monarch’s throne speech, when in addition to him, members of both houses of parliament and the supreme representatives of the judiciary of the country would be present in the building of the House of Lords.
In our time, some historians call the conspiracy a terrorist act, but in its goals it was radically different from the actions of modern terrorists and rather resembled an unsuccessful coup attempt.
I immediately warn you: the rest is purely speculative, draw your own conclusions !!!
Much of what is said below may seem like far-fetched nonsense, but let's look at what is happening in the world today, given that history, as you know, has an obsessive habit of restlessly repeating itself, and chaining events that are not connected at first glance:
Let us remember that in recent times in the press, reports are increasingly leaking that a concentration of troops is being carried out on the territory of the states.
Their MVD (Department of Homeland Security) recently purchased 1.4 billion rounds of prohibited Geneva Convention- almost 5 rounds per citizen. Where so many, you ask?
Recently, a bill was introduced in the United States "Guidelines for the event of mass deaths"
Preparations are underway for military operations in the cities, and exercises have already been carried out several times; coffins of FEMA (their Ministry of Emergency Situations) with the symbols of Masons were also seen in motion. What are they preparing for?
In the Chen information, all sorts of galactic federations are constantly promising to land soon.
The election of the American president this year is scheduled for November 6 - the day after the date dedicated to the gunpowder plot (05.11.). Also, let's not forget that V is the Roman five.
Questions of the inflamed mind:
Based on the similarity between the logos of The Domain and our space agencies, is it possible to assume that we are already a minority member of some space community (which we are not officially aware of)?
And does this community now call itself Galactic Federation of Light exclusively in terms of fooling people? What goals do they pursue with this brainwashing and languid stories about an early meeting?
Could the promised landing of galactic friends that so many are looking forward to today turn into a semblance of capture for us, as some sources warn? And won't all this be similar to the script of the series of the same name with the V-symbols already known to us ( Visitors), in which the invaders come disguised as friends?
Can it also be assumed that Anonymous was created (or will be quietly used) to carry out some kind of conspiracy on the eve of the presidential election, or was the mask from Vendetta chosen as their logo "accidentally"?
Judging by the information received earlier, during the Transition there will be a split into several types of people according to development and energies. Some souls will go to a parallel world, some (space ones) will be taken away, and some will be sent for disbandment. This will be discussed in more detail later.
Is it possible, given the above, to assume that the space agencies and their patrons are aware of this coming split, which V just symbolizes, and are preparing for it? Or do they just insert elements of the logos of their patrons into their symbols, which will appear here a little before the Transition to collect the fooled?
They say the easiest way to hide the truth is to put it in the most visible place, where no one will even think to look for it. Does this hypothesis have a right to exist?
Or is this all just another conspiracy theory?
Time will tell. The main thing is not to turn off your vigilance ...
LET'S LOOK AT SOME SYMBOLS
On this official site you can find a commemorative plaque dedicated to the 25th anniversary of the Air Force Space Command - from 1982 to 2007. You can see two rings around the Earth, as well as a stylized image of an alien spacecraft in flight:
From what I've heard, it's a huge triangular ship (it takes a while to get from end to end) and it's already flying around the galaxy. The shape you see on the emblems is almost the same as what they actually look like.
There are also official websites of the Navy Space Command and the US Space Command. The US Space Command also has a Wikipedia page that links to an even more detailed Unified Command page.
US SPACE TEAM
If you read the US Space Command page, you will find very detailed information about who founded it, when and why. It contains the following emblem showing the rings I'm talking about:
Pay attention to the crosses on each of the rings. We'll get back to them in a minute.
You can also read about the US Space Command in an article on Space.com, in an interview with Gene McCall, Chief Scientist of the Air Force Space Command. Naturally, the article tries to introduce unnecessary fuss into the story and does not contain any real "term" of Disclosure.
Air Force SPACE TEAM
And again, on the emblem of the Air Force Space Command, you see rings around the Earth. At first, the emblem appeared on the official website of the Air Force Space Command, but then it was removed.
However, this site has an exhaustive range of links to what was originally on the official sites, along with links that no longer work. I suggest keeping a copy of yours in case of later withdrawal.
When you go to the respective site, look at the images and read the text, the triangular flying machine appears again and again on different symbols and emblems, along with two “quarantine rings”.
Again, note the two crosses on each side of the delta-shaped spacecraft, closely related to the rings.
I believe they mean the crosses of the Knights Templar.
“KNIGHTS OF TEMPORALS”
In an interview Project Camelot Gordon Novel reveals that these insiders identify themselves as Knights Temporal:
cassidy: When you say "we", who do you mean?
Knights Temporal
Gordon: Well, there is a group of people that I call the Knights Temporal.
Today, the world's most distinguished aerospace engineers and physicists are part of a team we call the RAM group. We call ourselves the Knights Temporal.
We borrowed the idea from the Templars who blackmailed the Pope into giving them free rein in Europe. It was they who created the banking orders that we have today..
Because we believe technology is rooted in time, we call ourselves the Knights Temporal. Essentially, alien technology, the UFO, is a flying time machine. That's what we believe and that's all
what we know about it.
Here's what Novel didn't say: the international bankers didn't just "borrow the idea of the Templars." These groups are direct descendants Knights Templar and still keep all their secrets.
NAVY SPACE TEAM
The same two “quarantine rings” appear on the emblem of the Navy Space Command, which is reflected on the above site:
“MAIN HAND” AT VANDERBURG AIR FORCE BASE
The following emblem can be found on the official Vanderburgh Air Force Base website at Stategic Air Command.com.
And again, we notice a cross on one of the rings that protect the Earth. Apparently, the sword is the sword of the Knights Templar.
Given the inscription “Strengthen the Shield,” this is a clear indication that the two rings around the Earth could be some kind of “screen” that we would like to believe remains impenetrable.
Moreover, there is speculation that this screen may be at least partially amplified by the same strange delta-shaped spacecraft:
76th AFSST SPACE OPERATION
Also check out the emblem of the 76th AFSST space operation on the same site - the official site of the air force base in Vanderburgh.
And again, we see one of the “quarantine rings” and the same flying metal triangle, this time with rings surrounding it, if you haven’t already realized that it flies.
Below there are two more smaller delta-shaped spaceships:
And here is the page of the original Air Force Strategy Team website in case it disappears. Notice the Knights Templar's gauntlet with the lightning bolt flying out of it in the symbolism on the top left:
JOINT FUNCTIONAL COMPONENT OF THE SPACE TEAM
On the emblem of the Joint Functional Component of the Space Command, we again see “quarantine rings” and flying metal triangles. This emblem can be seen on the official Wikipedia page:
As stated on this page, according to Lieutenant General William L. Shelton: “Our main goal is “ ensure our freedom of action in space by preventing hostile use of space against us”.
SHRIVER AIR FORCE BASE
The emblems of the Schriver Air Force Base follow the same pattern: quarantine rings and a spacecraft operating far beyond the Earth's atmosphere, as well as an orange object that could be a comet or a flying saucer.
Note the difference in size between the smaller black delta ship and the larger metal delta ship in the first emblem from the bottom.
The difference in size may not be an indication that one ship is closer than the other. This is probably a direct indication of how much larger the larger ship is compared to the black one:
The following icon is especially interesting because of the image that appears at the bottom:
I was told that the Pegasus logo - "Master of Space" - is worn by those who come into direct high-level contact with extraterrestrial human civilizations, especially those who work for the Space Command.
The legend of Pegasus, the winged horse used by the gods of Greek mythology for locomotion, may be an indication of some kind of spaceship.
This follows the same logical chain introduced in Episode 3 ancient aliens on the history channel, which I participate in many times.
In light of what we know about the “Mr. Cosmos” logo, pay attention to the words “History” and “Heritage”. This may mean knowing that human history and a legacy much older than Earth.
THIRD PAGE BASE SHRIVER ICON
There are so many symbols on the third page of the Schriver Base website: a delta ship, Templar swords, Templar gloves, quarantine rings, and so on, that I am quoting it in full:
There are many references to the Knights Templar here. And, of course, many insiders have said that the Air Force is much more involved in the UFO cover-up than any other organization.
You may have found the compasses of the Masons at the top right of the image. At the bottom there are Templar gloves holding a fiery sword.
I was particularly struck by the gloves of the Knights Templar, which have magical energy emanating from them, which suggests the possession of the hidden forces of the Universe:
FOURTH PAGE OF SHRIVER AIR FORCE BASE ICONS
The fourth page of Schriver Air Force Base contains additional puzzles that include the Templar symbol - a skull and crossbones:
The top left icon could be an indication that human beings are populating the entire galaxy, which is why we see a picture of a human body away from Earth and the Pegasus logo.
The image at the top right shows a Templar gauntlet, which, again, suggests a "Lightning Bolt" emanating from it.
As stated in the second episode, “ ancient aliens”, for which I did a lot of research, it seems that many ancient legends about lightning are associated with working alien weapons that were used in distant historical times.
Later, this weapon turned into myths about Zeus the Thunderer, Thor's Hammer, Odin's Spear, Poseidon's Trident, Vayzhra's Spear and so on.
THOUGHT-FORMED ENTITIES AND THE PROTECTED EARTH
The malevolent hooded being in the emblem below clearly represents the "Thought Form Entities" that I have been told the Earth Keepers are actively protecting our planet from.
Note that the creature has at least two faces. One is formed by two winged eyes in the middle, the other is seen in profile when viewed from the left side. Then the sharp nose, eyebrow and chin are clearly visible.
In profile view, pointy ears are depicted on the back of the head. I recently heard from an insider that at least one alien group has pointed ears and looks like the gargoyles we see on many of the buildings erected by the Templars.
Whether you agree with what the Guardians are doing or not, the people I've spoken to are absolutely convinced that things on Earth would be much worse if they didn't do what they do.
The desire to protect humanity from external negative forces seems quite justified to them, so the Guardians continue to do this work, although it affects many ethical principles.
And, of course, it is interesting to see a creature in a hood, looming over the Earth on a badge dedicated to “operations in space”.
FIFTH PAGE OF SHRIVER AIR FORCE BASE EMBLEM
There are even more symbols on the fifth and last page of the Shriver Air Force Base emblems. First, here's the full view:
Note the two stylized birds located on either side of the star in the lower center image. Most likely they point to images of the Phoenix.
What is the best symbol to use to describe the journey through a stargate where you "die" and dematerialize at one end only to be "reborn" at the other?
As you'll see in a minute, that was the first Air Force logo!
Now let's explore a few more images in more detail.
STAR GATES
First, as we see enlarged below, we have an emblem showing the pentagonal vortex of the Stargate appearing in the northwestern United States:
Several insiders have said that "ancient" stargates look like tunnels, with individual points of light in exact geometric proportions with each other. As you look deeper into the space-time tunnel, they spiral into themselves.
Points of light can be in a pentagonal relation to each other along the entire length of the circumference, although no one has ever told me about this. And until recently, it never occurred to me to ask about it.
A slight allusion to the stargate pattern appears in the film. Minority report, when you look into the distance on the right in this particular frame:
Going back to the emblem, it even features the words "gate" and "star" in the description - Gateway to the Stars.
DOES THE AIR FORCE LOGO DESIGNATE A STARGATE?
The pentagonal star in a circle is a typical depiction of the main emblem of the Air Force, which has gone through two different stages of development. This appears to be another stargate or "portal" veneration used on the insider levels.
I have already pointed out the first Air Force logo, in which the pentagon is circled with stylized phoenix birds on each side. This logo has evolved into its current form, as shown in the images below:
WHAT AIR FORCE DO THEY CONTROL?
Compare one of the symbols of the Air Force Communicators and the Association of Controllers Air Service.
In the center is a pentagonal Air Force/Stargate logo with phoenix fire birds on both sides.
Then on the right there is a jet plane, and on the left "something else" - again, our delta-shaped spaceship, protecting triangular Earth with the same “quarantine loops” that I already showed you:
The triangular shape appears to indicate the energies of the tetrahedron present on Earth and other planets, as Richard K. Hoagland has been stating since at least 1993.
On any planet, the energy of the tetrahedron appears at a latitude of 19.5° north or south of the equator.
On solid planets, it manifests itself in the form of volcanoes, like Hawaii on Earth or the huge Olympus Mons on Mars.
On the gaseous planets we have the Great Red Spot on Jupiter, the Huge Dark Spot on Neptune, cloud bands on Saturn, and so on. And all this at a mysterious latitude of 19.5°.
DEFENDERS OF THE EARTH
One of the most compelling symbols of Schriver Air Force Base is the badge below.
Here we see a simplified but recognizable outline of the Global Grid that I wrote about many years ago.
The real Grid does not have a square pattern like here, but it is very similar, including spherical "knots" where the lines intersect.
We also see the Knight Templar with all the royal regalia:
Even the clover carved into the knight's mask is a stylized version of the Templar cross:
The following logo in particular caught my attention.
Apparently, this is an early version of the same emblem that I showed you before. Again, we see a delta-shaped spacecraft and a quarantined Earth in the middle.
We also clearly see knightly gloves with lightning emanating from the fingers.
This emblem suggests that the Knights Templar had mystical powers to manipulate energy, either through thought or through some form of "lightning" technology, as we see in many ancient myths:
Of course, none of the above statements is fully conclusive proof of either that the Space Command is operating off-planet, or that it has access to stargate "portal" technology or possesses a delta-shaped spacecraft.
However, it is extremely interesting that we see such an abundance of the same symbolism in different military emblems, again and again. I have offered you only a small part of what you can enrich with your own research..
Picture dated 04/29/2017.
Image of three-dimensional space, UFO of the seventh alien civilization Spirals - a symbol of movement in space. Probably shown moving into three-dimensional space through another dimension. Dates, numbers. The cross is a symbolic designation of this highly developed civilization.
04/29/2017. Question to Galaxia Andromeda. Please draw more details about this drawing. Thank you!
An image of a triangular alien spacecraft. Symbols of movement in space. The big circle is a symbolic drawing of the Earth. The dot in the circle is the image of the neutron star Typhon - Medusa Gorgon. Numbers. Dates.
04/30/2017. Question to Galaxia Andromeda. Please draw more details. What alien civilization does this picture belong to? Thank you!
Figure from 1.05.2017.
The circle is probably a symbolic image of the planet of an alien civilization with the image of triangular spaceships. Symbols of movement in space, the distance to the planet and the location of their star. Numbers, dates.
May 1, 2017. Question to Galaxia Andromeda. Please draw more details about this video. Thank you!
https://www.facebook.com/galaxia.andromeda.12/videos/1363114383769707/
Figure from 2.05.2017.
Showing the movement of a triangular aircraft, space lines of force, a space tunnel, and probably a star and alien planetary system. Numbers, dates.
May 2, 2017. Question to Galaxia Andromeda. Please draw more details about this video. Thank you!
https://www.facebook.com/galaxia.andromeda.12/videos/1368935469854265/
Figure from 3.05.2017.
In the center of the figure, a spiral is a symbol of movement in space. The dot in the circle is the image of the neutron star Typhon (Gorgon Medusa). Triangles - spaceships of an alien civilization. A change in the trajectory of a neutron star by alien spacecraft is shown.
May 3, 2017. Question to Galaxia Andromeda. Please draw more details. Where is the neutron star Typhon currently located? Thank you!
Image of the neutron star Typhon (Gorgon Medusa), three-dimensional space. Image of triangular spaceships, UFOs, symbols of movement in space. The neutron star is currently still in the region of the orbit of the seventh planet - Uranus. Dates.
05/04/2017. Question to Galaxia Andromeda. Please draw more details about this video. Thank you!
https://www.facebook.com/galaxia.andromeda.12/videos/1371207856293693/
Figure from 05/05/2017.
In the center of the circle is an image of a UFO of the sixth civilization. On the right - a triangular spaceship with symbols of movement in space. Numbers. Dates.
May 5, 2017. Question to Galaxia Andromeda. Please draw more details about this video. Thank you!
https://www.facebook.com/galaxia.andromeda.12/videos/1371207636293715/
Figure from 05/06/2017.
A drawing of a rapidly rotating neutron star of the georotator class Typhon - Medusa Gorgon. On the left - an ancient image of a neutron star - the "Star of David". The dates for the next appearance of a neutron star near the Earth are 3212 - 3219.
May 6, 2017. Question to Galaxia Andromeda. Please draw more details about this video. Thank you!
https://www.facebook.com/galaxia.andromeda.12/videos/1372202292860916/
UFO images of the seventh alien civilization. Symbols of movement in space (spiral). Drawing of the neutron star Typhon - Medusa Gorgon (stars - comets). An ancient drawing of a star (Star of David) and its four largest satellites. Neutron star (dot in circle). Numbers, dates.
05/07/2017. Question to Galaxia Andromeda. Please draw more details about this drawing. Thank you!
Picture from 05/08/2017.
In the center - an image of a neutron star of the georotator class Typhon - Medusa Gorgon (a cross - a star). The symbolic designation of a star is a dot in a circle. Shown solar system, symbols of the planets and the displacement of a neutron star next to its planets.
05/08/2017. Question to Galaxia Andromeda. Please draw more details about this video. Thank you!
https://www.facebook.com/vikmanciniofficial/videos/1727063170644062/
Figure dated 05/09/2017.
The circles on the left are the designation of the Earth (the third planet from the Sun). The circle on the right is a drawing of the alien planet with images of triangular spaceships, symbols of movement in space. The cross is a symbolic designation of an alien civilization.
May 9, 2017. Question to Galaxia Andromeda. Please draw more details about this drawing. Thank you!
Figure dated 05/10/2017.
Image of the triangular ship of the seventh civilization. Probably the cross is a symbol of this highly developed civilization. Numbers.
05/10/2017. Question to Galaxia Andromeda. Please draw. Whether or not there was a civilization on the moon. Thank you. On the picture, inPossibly ruins of buildings on the moon.
Figure dated 05/11/2017.
In the square is an image of a triangular UFO, symbols of the Earth and, possibly, the Moon. Probably showing alien bases on our night satellite. Numbers, dates.
05/11/2017. Question to Galaxia Andromeda. Please draw more details about this drawing. Thank you!
Figure dated 05/12/2017.
Images of triangular spaceships of alien civilizations. Symbols of movement in space. Numbers.
05/12/2017. Question to Galaxia Andromeda. Please draw more details about this drawing. Thank you!
Figure dated 05/13/2017.
The circle is a symbolic image of the planet of aliens. In the center is a drawing of a UFO of the fifth civilization. Black circles on the left - the movement of the neutron star Typhon, Medusa Gorgon (cross - stars) is shown. The spiral is a symbol of movement in space. In the squares of the number of mathematics of the Mayan Indians.
05/13/2017. Question to Galaxia Andromeda. Please draw more details about this drawing. Thank you!
Figure dated 05/14/2017.
The image of the lines of the world space, the symbols of the planets, UFO drawing. Numbers. Dates.
May 14, 2017. Question to Galaxia Andromeda. Please draw more details about this drawing. Thank you!
The art of ancient civilizations can be interpreted in many ways, how to know what drove the inspiration of the ancient master. But sometimes the question is obvious, the artist clearly wanted to express the scenario: Aliens visiting the Earth.
the gods took care of the inhabitants of Earththe gods took care of the inhabitants of Earth
The stone withstands a serious test of time, so we have a unique opportunity to see through the eyes of our ancestors greatest event distant centuries - visiting the Earth by aliens.
Statues of aliens on the island of Nuku Hiva.
In the case of the outlandish sculptures of Nuku Hiva, we can contemplate large, almond-shaped eyes, which can be recognized as belonging to a race of aliens.
Nuku Hiva is the largest island in French Polynesia. European explorers reached the archipelago at the end of the 16th century, by which time the islands had been inhabited for nearly 2,000 years.
The ancient culture left behind a rich collection of intriguing artwork depicting creatures with unusual heads and large eyes. The figures are terribly reminiscent of the "gray aliens" as we imagine them.
Some of the sculptures are likely to be hybrid creatures, displaying a combination of human and alien features. From ufologists, we know about two alien civilizations depicted in stone on Nuku Hiva: reptiles and gray aliens.
Anunnaki spaceships.
Myths and legendary evidence from ancient texts around the world contain many references to the existence of an extremely advanced alien civilization.
spaceships of the ancients
The Anunnaki, who visited Earth in ancient times, in all likelihood helped primitive people build fascinating monuments that have survived for thousands of years.
Artifacts of Papua New Guinea.
In the 1960s, two brave explorers, a husband and wife, were guests of a mysterious Pygmy tribe in Papua New Guinea. As a sign of mutual respect, both sides exchanged gifts. The elders of the tribe gave the couple two inexplicable artifacts that the leaders, in principle, could not possess.
Nevertheless, intriguing artifacts speak for themselves: a bust with an elongated head, large eyes, with an appearance completely alien to Earth. Another relic was a bird - which was suspected of an aircraft.
Very ancient artifacts, located in a place where the inhabitants did not represent the technologies for their manufacture, everything came to them supposedly from their ancestors!The elders claimed that stone rarities are part of their tribe, passed down through countless generations. The origin of the figurines is simply lost against the backdrop of the incomprehensible depths of time, and the change of tens of hundreds of generations.
So what are the versions regarding artifacts? Must be travelers from another dimension? Or maybe again a product of the human imagination? Perhaps everything is simpler, and a couple of stone idols? While no one is arguing, we will probably never know the answer.
The three-bladed disk is a lost technology of the ancients.
On the first floor of the Cairo Museum flaunts a mysterious artifact, the purpose of which remains unknown. A round plate with three sections curved towards the center was found in the tomb of Sabu, the son of pharaoh Ajib.
The find dates back over 5,000 years and is seen by many as proof of advanced technology. ancient egypt. The function of the three-bladed disk is completely unknown, but scientists believe the object is a decorative overlay.
However, for many it is obvious that the Sabu disk is the result of a complex technological process, so its function should be more specific than the role of decor. Doesn't it look like a propeller?
The one-piece construction is made of solid stone, and the disc is incredibly thin, even for today's technology. A symbol of faith in ancient aeronautics, which came from previous civilizations, is what adherents of the paleocontact idea see in this.
Combined with the idea that, even before the ancient Egyptians, the pyramids provided electricity (as it is now assured), this part of the unknown machine declares: we are not the first civilization to reach a certain technological level.
Remarkable artifacts, mostly ignored by mainstream science, affirm the old truth: there is nothing new under the Sun. Why, believing that we are not alone in the universe, ancient works of art cannot be evidence of aliens visiting the Earth?
Is it impossible that the ancient aliens made contact with the local population of the Earth, in one way or another influencing civilizations? It is also quite normal that people felt they owed something to the "heavenly gods", carving the images of those who came in stone figures, preserving the memory of the event for millennia.