The role of Taras Bulba in the work. Artistic features of the story N
The story "Taras Bulba" is one of the most beautiful poetic creations of the Russian fiction. In the center of the story of Nikolai Vasilyevich Gogol "Taras Bulba" is the heroic image of the people who are fighting for justice and their independence from the invaders. Never before has Russian literature reflected so fully and vividly the scope of folk life. Each character in the story is unique, individual and integral part the life of the people.
In his work, Gogol shows the people not as bonded and submissive, but free and proud, merciless towards the enemies of the Motherland and the people, traitors and traitors. Heroes are endowed with self-esteem, intelligence, nobility, love of freedom, able to endure any torment in the name of the Fatherland.
The image of Taras is imbued with the harsh and tender poetry of fatherhood. He is a father not only for his sons, but also for the Cossacks who entrusted him with command. The image of Taras is one of the most tragic images in world literature. His heroic death confirms the greatness of the struggle for the freedom of the people.
In his story, Nikolai Vasilyevich Gogol not only talks about fearless warriors, but also gives detailed pictures of the lush and beautiful nature. Character traits Gogol's skill is expressed in landscape sketches. Nikolai Vasilyevich Gogol painted nature magnificently. “The steppe, the farther, the more beautiful it became. Then the whole south, the whole space that makes up the current Novorossia, right up to the Black Sea, was a green virgin desert ... Nothing in nature could be better. The entire surface of the earth appears as a green-gold ocean, over which millions of different colors…»
The image of the steppe for the writer is the image of the Motherland, strong, powerful and beautiful. In the description of the steppe, Gogol's ardent love for native land, faith in her strength and power, admiration for her beauty and endless expanses. Free, boundless steppes help to understand the character of the Cossacks, the origins of their heroism. In such a steppe can only live courageous people, proud, strong, courageous, endowed with breadth of soul and generosity of heart. The steppe is the birthplace of heroes, Cossack warriors.
The landscape of Nikolai Vasilievich Gogol is very lyrical, imbued with a sense of admiration and striking in the richness of colors. Nature helps the reader to better understand inner world heroes. When the sons of Taras, having said goodbye to their saddened mother, leave their native farm, Gogol, instead of showing the oppressed mood of the travelers, is limited to the phrase: “The day was gray, the greenery sparkled brightly, the birds chirped somehow in discord.” The inner world and the state of the soul of the characters are instantly revealed. People are upset, they cannot concentrate, everything around them seems to them devoid of unity and harmony.
Nature lives in Gogol the same intense and multifaceted life as his heroes.
When describing the siege of the city of Dubno before the meeting of Andriy with the maid of the beautiful lady, there is also landscape sketch. “Some kind of stuffiness in the heart,” which the young man feels, is compared by Gogol with the picture July night. However, there is no admiration for her beauties, but there is a feeling of anxiety. Along with the description of the starry sky, there is a view of the Cossack camp falling asleep, and “something majestic and formidable”, which turned out to be “a glow in the distance of burning out environs”, as it were, warns of impending terrible events.
The landscape in N. V. Gogol's story "Taras Bulba" plays an important role, sparingly, but very accurately describing the scene and the mood of the characters.
The story "Taras Bulba" is one of the most beautiful poetic creations of Russian fiction. In the center of the story of Nikolai Vasilyevich Gogol "Taras Bulba" is the heroic image of the people who are fighting for justice and their independence from the invaders. Never before has Russian literature reflected so fully and vividly the scope of folk life. Each hero of the story is original, individual and is an integral part of the life of the people.
In his work, Gogol shows the people not as bonded and submissive, but free and proud, merciless towards the enemies of the Motherland and the people, traitors and traitors. Heroes are endowed with self-esteem, intelligence, nobility, love of freedom, able to endure any torment in the name of the Fatherland.
The image of Taras is imbued with the harsh and tender poetry of fatherhood. He is a father not only for his sons, but also for the Cossacks who entrusted him with command. The image of Taras is one of the most tragic images in world literature. His heroic death confirms the greatness of the struggle for the freedom of the people.
In his story, Nikolai Vasilyevich Gogol not only talks about fearless warriors, but also gives detailed pictures of the lush and beautiful nature. The characteristic features of Gogol's skill are expressed in landscape sketches. Nikolai Vasilyevich Gogol painted nature magnificently. “The steppe, the farther, the more beautiful it became. Then the whole south, the whole space that makes up the current Novorossia, right up to the Black Sea, was a green virgin desert ... Nothing in nature could be better. The entire surface of the earth seems to be a green-gold ocean, over which millions of different colors splashed ... "
The image of the steppe for the writer is the image of the Motherland, strong, powerful and beautiful. In the description of the steppe, and first of all, Gogol's ardent love for his native land, faith in its strength and power, admiration for its beauty and endless expanses, had an effect. Free, boundless steppes help to understand the character of the Cossacks, the origins of their heroism. Only courageous people, proud, strong, courageous, endowed with a breadth of soul and generosity of heart, can live in such a steppe. The steppe is the birthplace of heroes, Cossack warriors.
The landscape of Nikolai Vasilievich Gogol is very lyrical, imbued with a sense of admiration and striking in the richness of colors. Nature helps the reader to better understand the inner world of the characters. When the sons of Taras, having said goodbye to their saddened mother, leave their native farm, Gogol, instead of showing the oppressed mood of the travelers, confines himself to the phrase: “The day was gray, the greenery sparkled brightly, the birds chirped somehow in discord.” The inner world and the state of the soul of the characters are instantly revealed. People are upset, they cannot concentrate, everything around them seems to them devoid of unity and harmony.
Nature lives in Gogol the same intense and multifaceted life as his heroes.
When describing the siege of the city of Dubno before the meeting of Andriy with the maid of the beautiful lady, there is also a landscape sketch. “Some stuffiness in the heart,” which the young man feels, is compared by Gogol with the picture of the July night. However, there is no admiration for her beauties, but there is a feeling of anxiety. Along with the description of the starry sky, there is a view of the Cossack camp falling asleep, and “something majestic and formidable”, which turned out to be “a glow in the distance of burning out environs”, as it were, warns of impending terrible events.
The landscape in N. V. Gogol's story "Taras Bulba" plays an important role, sparingly, but very accurately describing the scene and the mood of the characters.
- The story is a favorite genre of Nikolai Vasilyevich Gogol. The image of the protagonist of the story "Taras Bulba" was created on the basis of the images of prominent figures of the national liberation movement Ukrainian people- Nalivaiko, Taras Tryasylo, Loboda, Gunya, Ostranya and others. In the story "Taras Bulba" the writer created the image of a simple freedom-loving Ukrainian people. The fate of Taras Bulba is described against the backdrop of the struggle of the Cossacks against Turkish and Tatar rule. In the image of Taras, two elements of the narrative merge - the usual […]
- The work of Nikolai Vasilievich Gogol "Taras Bulba" allows the reader to travel back in time, when ordinary people fought for their happy, cloudless life. They fought for their freedom to quietly raise children, grow crops and be independent. It was believed that fighting enemies and protecting your family is the sacred duty of every man. Therefore, from childhood, boys were taught to be independent, make decisions and, of course, fight and defend themselves. Main character story, Taras Bulba, at […]
- The protagonist of Gogol's story of the same name, Taras Bulba, embodies best qualities Ukrainian people, forged by them in the struggle for their freedom from Polish oppression. He is generous and broad-minded, sincerely and ardently hates enemies and also sincerely and ardently loves his people, his fellow Cossacks. There is no pettiness and selfishness in his character, he gives himself entirely to his homeland and the struggle for her happiness. He does not like to bask and does not want wealth for himself, because his whole life is in battles. All he needs is an open field and a good […]
- Ostap Andriy Main qualities An impeccable fighter, a reliable friend. Sensual to beauty and has a delicate taste. Character Stone. Refined, flexible. Character Traits Silent, reasonable, calm, courageous, straightforward, loyal, courageous. Brave, courageous. Attitude to traditions Follows traditions. Adopts ideals from elders implicitly. He wants to fight for his own, not for traditions. Morality Never wavers in the choice of duty and feelings. Feelings for […]
- The story of Nikolai Vasilyevich Gogol "Taras Bulba" is dedicated to the heroic struggle of the Ukrainian people against foreigners. The image of Taras Bulba is epic and large-scale, the main source for creating this image was folklore. These are Ukrainian folk songs, epics, fairy tales about heroes. His fate is shown against the background of the struggle against Turkish and Tatar rule. This is a positive hero, he is an integral part of the Cossack brotherhood. He fights and dies in the name of the interests of the Russian land and the Orthodox faith. Portrait […]
- Very brightly and authentically, N.V. Gogol presented the reader with the image of one of the main characters of the story "Taras Bulba", the youngest son of Taras, Andriy. His personality is well described in completely different situations - at home with his family and friends, at war, with enemies, as well as with his beloved Polish woman. Andriy is a windy, passionate nature. With ease and madness, he surrendered himself to the passionate feelings that the beautiful Polish woman kindled in him. And having betrayed the convictions of his family and his people, he abandoned everything and went over to the side of his opponents. […]
- The story "Taras Bulba" is one of the most perfect creations of Nikolai Vasilyevich Gogol. The work is dedicated to the heroic struggle of the Ukrainian people for national liberation, freedom and equality. Much attention in the story is given to the Zaporizhian Sich. This is a free republic where everyone is free and equal, where the interests of the people, freedom and independence are above everything in the world, where strong and courageous characters are brought up. The image of the main character, Taras Bulba, is remarkable. Severe and adamant Taras leads […]
- The legendary Zaporizhzhya Sich is the ideal republic that N. Gogol dreamed of. Only in such an environment, according to the writer, mighty characters, courageous natures, real friendship and nobility could be formed. Acquaintance with Taras Bulba takes place in a peaceful home environment. His sons, Ostap and Andriy, have just returned from school. They are a special pride of Taras. Bulba believes that the spiritual education that his sons received is only a small part of what a young man needs. "It's all rubbish, what they stuff […]
- At the lesson of literature, we got acquainted with the work of N.V. Gogol "Dead Souls". This poem has become very popular. The work was repeatedly filmed both in the Soviet Union and in modern Russia. Also, the names of the main characters became symbolic: Plyushkin - a symbol of stinginess and storage of unnecessary things, Sobakevich - an uncouth person, Manilovism - immersion in dreams that have no connection with reality. Some phrases have become catchphrases. The main character of the poem is Chichikov. […]
- Nikolai Vasilyevich Gogol noted that the main theme of "Dead Souls" was contemporary Russia. The author believed that "it is impossible otherwise to direct society or even the whole generation towards the beautiful, until you show the full depth of its real abomination." That is why the poem presents a satire on the local nobility, bureaucracy and other social groups. The composition of the work is subordinated to this task of the author. The image of Chichikov, traveling around the country in search of the necessary connections and wealth, allows N. V. Gogol […]
- Gogol was always attracted by everything eternal and unshakable. By analogy with " Divine Comedy"Dante, he decides to create a work in three volumes, where the past, present and future of Russia could be shown. The author even designates the genre of the work in an unusual way - a poem, since different fragments of life are collected in one artistic whole. The composition of the poem, which is built on the principle of concentric circles , allows Gogol to trace the movement of Chichikov through the provincial town of N, the estates of […]
- The work of Nikolai Vasilyevich Gogol fell on the dark era of Nicholas I. These were the 30s. XIX century, when in Russia, after the suppression of the uprising of the Decembrists, reaction reigned, all dissidents were persecuted, the best people were persecuted. Describing the reality of his day, N.V. Gogol creates the poem “Dead Souls”, brilliant in depth of reflection of life. The basis of "Dead Souls" is that the book is a reflection not of individual features of reality and characters, but of the reality of Russia as a whole. Myself […]
- French traveler, author of the famous book "Russia in 1839" Marquis de Questine wrote: “Russia is ruled by a class of officials who occupy administrative positions right from the school bench ... each of these gentlemen becomes a nobleman, having received a cross in his buttonhole ... Upstarts in the circle of those in power, they use their power, as befits upstarts. " The tsar himself admitted with bewilderment that it was not he, the autocrat of all Russia, who governed his empire, but the clerk appointed by him. The provincial city […]
- N. V. Gogol wrote about the concept of his comedy: “In The Inspector General I decided to collect into one measure all the bad things in Russia that I knew then, all the injustices that are done in those places and those cases where the most is required from a person justice, and at once laugh at everything. This determined the genre of the work ─ socio-political comedy. It does not deal with love affairs, events privacy, but the phenomena of social order. The plot of the work is based on a commotion among officials, […]
- N.V. Gogol built his comedy "The Inspector General" on the plot basis of an everyday anecdote, where, due to imposture or an accidental misunderstanding, one person is mistaken for another. This plot was of interest to A. S. Pushkin, but he himself did not use it, losing it to Gogol. Working diligently and for a long time (from 1834 to 1842) on The Inspector General, reworking and rearranging, inserting some scenes and throwing out others, the writer developed the traditional plot with remarkable skill into an integral and coherent, psychologically convincing and […]
- Explaining the meaning of The Inspector General, N.V. Gogol pointed to the role of laughter: “I am sorry that no one noticed the honest face that was in my play. Yes, there was one honest, noble face that acted in it throughout its entire duration. That honest, noble face was laughter. A close friend of N.V. Gogol, wrote that modern Russian life does not provide material for comedy. To which Gogol replied: “Comedy lies everywhere… Living among it, we don’t see it… but if the artist transfers it to art, to the stage, then we are above ourselves […]
- Landowner Appearance Manor Characteristics Attitude to Chichikov's request Manilov The man is not yet old, his eyes are as sweet as sugar. But this sugar was too much. In the first minute of a conversation with him you will say what a nice person, after a minute you will not say anything, and in the third minute you will think: "The devil knows what it is!" The master's house stands on a hill, open to all winds. The economy is in complete decline. The housekeeper steals, something is always missing in the house. The kitchen is preparing stupidly. Servants - […]
- By the beginning of the fourth act of the comedy The Inspector General, the mayor and all the officials were finally convinced that the auditor sent to them was a significant government official. By the power of fear and reverence for him, the “wick”, “dummy”, Khlestakov became the one whom they saw in him. Now you need to protect, protect your department from revisions and protect yourself. Officials are convinced that the inspector needs to be given a bribe, “slipped” in the way it is done in a “well-ordered society”, i.e. “between four eyes, so that ears do not hear”, […]
- The silent scene in N.V. Gogol's comedy "The Inspector General" is preceded by the denouement of the plot, Khlestakov's letter is read, and the officials' self-deception becomes clear. At this moment, that which bound the characters throughout the entire stage action, fear, leaves, and the unity of people disintegrates before our eyes. The terrible shock that the news of the arrival of the real auditor produced on everyone again unites people with horror, but this is no longer the unity of living people, but the unity of lifeless fossils. Their dumbness and frozen postures show […]
- A feature of Gogol's comedy "The Government Inspector" is that it has a "mirage intrigue", that is, officials are fighting against a ghost created by their bad conscience and fear of retribution. Anyone who is mistaken for an auditor does not even make any deliberate attempts to deceive, to fool the officials who have fallen into error. The development of the action reaches its climax in act III. The comic fight continues. The mayor deliberately goes towards his goal: to force Khlestakov to “let slip”, “tell more” in order to […]
CREATION
SCHOOL ESSAYS
The highest degree of skill of the writer is to express the idea in the image.
O. Balzac
The first impression about the author of the story "Taras Bulba" after reading it: N.V. Gogol is not just a wonderful and talented writer, we have before us a brilliant impressionist painter, turning colorless sketches into colorful canvases with bright strokes. The steppe is a green-golden ocean, over which millions of different colors splashed: blue, dark blue, purple, yellow, white.
The sky is a combination of blue-dark with rose gold and white.
The Svetlitsa, where bright utilitarian objects are depicted on the walls of colored clay: sabers, whips, guns, nets, nets for birds, a golden bridle and fetters with silver plaques, green and blue bottles, silver goblets and golden cups; oven covered with colored tiles. The author colors the nondescript brown background with brilliant gold and silver, dark threads of nets and multi-colored tiles.
The costume of the Zaporozhian Cossack, which absorbed all the brightest colors of the evening sky and the reflections of fires: crane boots with silver horseshoes, trousers with a thousand folds, a golden eyeglass with long straps, bones and trinkets, scarlet Cossack, bright as fire, patterned belt , pistols, saber.
Each canvas of the author, which has absorbed all the colors of the rainbow, the brightest and richest colors of nature, permeated with gold (the light of the sun) and silver (the light of the moon), radiates positive, warmth and energy.
And as for the portrait, here our painter only outlines bright contours, sets the color scheme and invites the viewer to co-authors, leaving free space on the canvas, which everyone can fill in with details in accordance with their ideas and tastes.
A beautiful Polish woman: a beauty, "black-eyed and white as snow, illuminated by the morning blush of the sun," with hazel curls.
Andriy: a burly fellow, with a strong, healthy face, black mustache, big eyes, velvety black eyebrows, black hair, "stand tall", "a face like that of a nobleman", courageous, full of charm.
The artist sets the color scheme and the overall contour, leaving the viewer to add the shape of the face, nose, lips.
An interesting detail: Gogol repeatedly "dresses" his male heroes (Andriy: a long scroll, a Cossack outfit, a Polish costume,
Taras Bulba: Cossack attire, dress of a German count), but the girl’s clothes do not matter, they only talk about her expensive jewelry and accessories.
The writing talent of the author can only be assessed in superlatives. Metaphors and epithets, comparisons and personifications, detailing and generalization, vernacular and high literary style, this is what the text of the story is woven from, reminiscent of either folk songs or epics. It is clear that the author has an excellent education, masterfully owns in Russian, is a connoisseur and admirer of Ukrainian folklore.
We can conclude about some of the author's aesthetic preferences:
- Landscape: boundless, wide steppe with lush vegetation;
- Season: summer.
- Color spectrum: bright mosaic of all colors of the rainbow.
- Appearance men: athletic build, masculine face, burning brunette with black eyebrows and a black mustache.
- Appearance of a woman: white skin, dark hair, black eyes, white teeth.
- Speech: bright, figurative, lively
Taking a closer look at the biography of N.V. Gogol, it becomes clear that the gymnasium's passion for painting and acting was not in vain.
Author, person who knows and history loving in general, but most of all interested in the "things of bygone days" of his native Little Russia (teaching at St. Petersburg University). The period of "troubled times" 15-17 centuries, when the lands of Ukraine were an object wars of conquest, both on the part of the Turks and Tatars, and on the part of Poland and Lithuania, when, only thanks to the fierce national liberation struggle, the independence of Little Russia was preserved, could not help but interest the rich imagination of N.V. Gogol, and not awaken in the soul of the writer the deepest pride in the heroic past of the Russian people and its role in the history of all of Europe.
It is difficult to say, but it is possible that the romantic relationship of the heroes of the story (Andria and the Poles) was inspired by a real historical novel False Dmitry 1 and Marina Mniszek (Grigory Otrepiev, a former monk, studied in a bursa, visited Zaporozhye, passionately fell in love with the daughter of the Sambir governor, converted to Catholicism and fought against his fellow tribesmen).
It was during this period (15-17 century) that the Cossacks strengthened and formed, which later played an important role in history Russian Empire, a stronghold of Christianity and freedom, a launching pad for popular riots.
Native Zaporozhye Cossacks calls N.V. Gogol's sense of delight and deepest respect, he fully shares and supports the basic spiritual values on the basis of which this male community arose. Farmers and cattle breeders, hunters and fishermen, winemakers and artisans, who can turn into formidable mighty warriors who stand up for their native land at once, delight Gogol.
The author is a freedom-loving and proud person, possessing a rebellious spirit, sharing the ideas of equality and democratic organization of society, appreciating the spirit of camaraderie, selflessly loving his native Little Russian land and the people inhabiting it.
Being a deeply believing Orthodox person, Gogol is not too interested in the ritual side of Christianity, confirmation of which we find in the text ".. the whole Sich prayed in one church and was ready to defend it to the last drop of blood, although she did not want to hear about fasting and abstinence"
It seems that if there was an opportunity, Gogol himself, without hesitation, would have joined this peculiar men's club, the entrance ticket to which was only the Orthodox faith and the pride of the spirit.
And, nevertheless, the author, who described both the Sich and the battles so "tasty", does not idealize the Cossacks - the cradle of nationalism, chauvinism and anti-Semitism, which were largely rooted in the future in the minds of the Russian people (robber raids, wild cruelty and rejection towards non-Christians ). The author, being a man of a completely different era, is obviously much more tolerant, but, carried away by the heroic theme of the liberation struggle of the Ukrainian people, does not restrain his emotions and completely identifies himself with the heroes of his work.
N.V. Gogol creates a story that has become an ode to the Zaporizhzhya Cossacks, the Russian character, woven from endless contradictions, boundless patriotism and full of the Orthodox faith.
The story "Taras Bulba" is a highly artistic literary work on a historical theme, which allows you to get an idea of \u200b\u200bthe internal spiritual world author.
The story "Taras Bulba" is one of the most beautiful poetic creations of Russian fiction. In the center of the story of Nikolai Vasilyevich Gogol "Taras Bulba" is the heroic image of the people who are fighting for justice and their independence from the invaders. Never before has Russian literature reflected so fully and vividly the scope of folk life. Each hero of the story is original, individual and is an integral part of the life of the people.
In his work, Gogol shows the people not as bonded and submissive, but free and proud, merciless towards the enemies of the Motherland and the people, traitors and traitors. Heroes are endowed with self-esteem, intelligence, nobility, love of freedom, able to endure any torment in the name of the Fatherland.
The image of Taras is imbued with the harsh and tender poetry of fatherhood. He is a father not only for his sons, but also for the Cossacks who entrusted him with command. The image of Taras is one of the most tragic images in world literature. His heroic death confirms the greatness of the struggle for the freedom of the people.
In his story, Nikolai Vasilyevich Gogol not only talks about fearless warriors, but also gives detailed pictures of the lush and beautiful nature. The characteristic features of Gogol's skill are expressed in landscape sketches. Nikolai Vasilyevich Gogol painted nature magnificently. “The steppe, the farther, the more beautiful it became. Then the whole south, the whole space that makes up the present Novorossia, to the very Black Sea, was a green virgin desert. Nothing in nature could be better. The entire surface of the earth seems to be a green-gold ocean, over which millions of different colors splashed ... "
The image of the steppe for the writer is the image of the Motherland, strong, powerful and beautiful. In the description of the steppe, and first of all, Gogol's ardent love for his native land, faith in its strength and power, admiration for its beauty and endless expanses, had an effect. Free, boundless steppes help to understand the character of the Cossacks, the origins of their heroism. Only courageous people, proud, strong, courageous, endowed with a breadth of soul and generosity of heart, can live in such a steppe. The steppe is the birthplace of heroes, Cossack bogatyrs.
The landscape of Nikolai Vasilievich Gogol is very lyrical, imbued with a sense of admiration and striking in the richness of colors. Nature helps the reader to better understand the inner world of the characters. When the sons of Taras, having said goodbye to their saddened mother, leave their native farm, Gogol, instead of showing the oppressed mood of the travelers, is limited to the phrase: “The day was gray, the greenery sparkled brightly, the birds chirped somehow in discord.” The inner world and the state of the soul of the characters are instantly revealed. People are upset, they cannot concentrate, everything around them seems to them devoid of unity and harmony.
Nature lives in Gogol the same intense and multifaceted life as his heroes.
When describing the siege of the city of Dubno before the meeting of Andriy with the maid of the beautiful lady, there is also a landscape sketch. “Some stuffiness in the heart,” which the young man feels, is compared by Gogol with the picture of the July night. However, there is no admiration for her beauties, but there is a feeling of anxiety. Next to the description of the starry sky, a view appears
the sleeping camp of the Cossacks, and “something majestic and formidable”, which turned out to be “a glow in the distance of the burning out environs”, as it were, warns of impending terrible events.
The landscape in N. V. Gogol's story "Taras Bulba" plays an important role, sparingly, but very accurately describing the scene and the mood of the characters.
All essays on literature for grade 7
This book presents options for essays on literature for grade 7. Using it in preparation for writing an essay, students will be able to write in the shortest possible time creative work on any topic.
1. The image of the main character in the story of N. V. Gogol "Taras Bulba"
2. Landscape and its role in the story of N. V. Gogol "Taras Bulba"
3. Hyperbole as the main technique of N. V. Gogol's story "Taras Bulba"
4. Folklore elements in the story of N. V. Gogol "Taras Bulba"
5. The ideal image of a saint in Russian literature (on the example of "The Life of Our Reverend Father Sergius, Hegumen of Radonezh, the New Wonderworker")
6. The language of spiritual Russian literature (on the example of "The Life of Our Reverend Father Sergius, Hegumen of Radonezh, the New Wonderworker")
7. The ideological content of "The Tale of Peter and Fevronia of Murom"
8. Heroes and narrator in "The Tale of Peter and Fevronia of Murom"
9. Disclosure of character in the plot of the work of A. Bestuzhev-Marlinsky "Sailor Nikitin"
10. Ways of depicting characters in the "Song of the Prophetic Oleg" by A.S. Pushkin
11. Historical truth and fiction in "Songs about the prophetic Oleg" by A. S. Pushkin
12. The main idea of "The Song of the Prophetic Oleg" by A. S. Pushkin
13. The image of the narrator in the story of A. S. Pushkin "Shot"
14. The main idea of A. S. Pushkin's story "The Shot"
15. Characteristics of the main characters of A. S. Pushkin's story "The Shot"
16. Folklore traditions in "The Song about Tsar Ivan Vasilievich, the young oprichnik and the daring merchant Kalashnikov" by M. Yu. Lermontov
17. Life and customs of Moscow in the 15th century. in "Song about the Tsar ..." by M. Yu. Lermontov
18. Artistic media creating characters in the "Song about the Tsar ..." by M. Yu. Lermontov
19. On whose side is the truth in the "Song about the Tsar ..." by M. Yu. Lermontov
20. The image of Matteo Falcone in P. Merime's story "Matteo Falcone"
21. Ways of revealing characters in the story of Prosper Merime "Matteo Falcone"
22. Means of creating a heroic character in the story of P. Merime "Matteo Falcone"
23. Russian national character in N. S. Leskov's story "Lefty"
24. The image of the narrator in the story of N. S. Leskov "Lefty"
25. Language means of creating character in the story of N. S. Leskov
26. Russian history in the story of N. S. Leskov "Lefty"
27. The language of the story by N. S. Leskov "Lefty"
28 Landscape in I. S. Turgenev’s story “Bezhin Meadow”
29. Man and nature in the story of I. S. Turgenev "Bezhin Meadow"
30. Characteristics of the main characters of the story by I. S. Turgenev "Bezhin meadow"
31. Hyperbole and grotesque in the fairy tale by M. E. Saltykov-Shchedrin “The Tale of How One Man Feeded Two Generals”
32. The image of the generals in the fairy tale by M. E. Saltykov-Shchedrin “The Tale of How One Man Feeded Two Generals”
33. The image of a Russian peasant in the fairy tale by M. E. Saltykov-Shchedrin “The Tale of How One Man Feeded Two Generals”
34. Folk tales as the basis of the plot of the work of M. E. Saltykov-Shchedrin “The Tale of How One Man Feeded Two Generals”
35. The role of a detail in A.P. Chekhov's story "Chameleon"
36. Satire and humor in A.P. Chekhov's story "Chameleon"
37. The meaning of the title of the story by A. P. Chekhov "Chameleon"
38. The meaning of the title of the story by O. Henry "Gifts of the Magi"
40. The role of metaphor in A. S. Pushkin's poem "The Prisoner"
41. Expressive means in the poems of M. Yu. Lermontov "Clouds", "Cliff", "In the wild north ..."
42. Theme and idea of N. A. Nekrasov’s poem “Frost, Red Nose”
43. Expressive means of the poem by N. A. Nekrasov "Frost, Red Nose"
44. Folklore and its role in N. A. Nekrasov's poem "Frost, Red Nose"
The image of the protagonist in the story of N. V. Gogol "Taras Bulba"
The story "Taras Bulba" is one of the most perfect creations of Nikolai Vasilyevich Gogol. The work is dedicated to the heroic struggle of the Ukrainian people for national liberation, freedom and equality. Much attention in the story is given to the Zaporizhian Sich. This is a free republic where everyone is free and equal, where the interests of the people, freedom and independence are above everything in the world, where strong and courageous characters are brought up.
The image of the main character, Taras Bulba, is remarkable. Severe and adamant Taras leads a life full of dangers and hardships, he is not made for a family hearth. Gogol writes about him: "He was all created for abusive anxiety and was distinguished by the rude directness of his temper."
Taras Bulba is one of the representatives of the command staff of the Cossacks. He perfectly manages the army, is endowed with great willpower and intelligence, treats his comrades with love, respects the customs of the Zaporizhzhya Sich. His soul is imbued with a desire for the freedom and independence of his people. The hero punishes the Polish magnates and defends the oppressed and destitute. Taras Bulba is merciless towards traitors and cowards, which is why he speaks of traitors with great hatred: “I know that it has become vile on our land now: they adopt the devil knows what infidel customs; they abhor their tongue; sell their people…”
The pride of Taras Bulba is his sons Ostap and Andriy, who came from school. In his opinion, spiritual education is only a small part of what a young person needs for life, and most importantly, this is combat training in the conditions of the Zaporizhzhya Sich.
Ostap is a real fellow, from whom a good Cossack later grows up, Andriy has a softer character, but also promises to become a good warrior. However, Taras Bulba's dreams do not come true. Ostap dies a hero, and Andriy betrays his homeland and goes over to the side of the enemy.
Taras is characterized by a display of courage, for example when he sneaks into enemy territory to see Ostap. The scene of the meeting between father and son is amazing in its drama. Lost in the crowd of strangers, Taras watched as his son was taken to the place of execution. What did old Taras feel when he saw his Ostap? "What was in his heart then?" Gogol asks. But Taras showed no tension. He looked at his son and said: “Good, son, good!”
The character of Taras Bulba in the tragic conflict with Andriy is expressively revealed. Love did not bring Andrii anything good, on the contrary, she fenced him off from his father, friends and the Fatherland. Betrayal is not forgiven even to the bravest Cossack. The seal of the curse is placed on the traitor: “He disappeared, disappeared ingloriously, like a vile dog ...” Treason to the Motherland cannot be justified and redeemed, the life of a traitor is inglorious, and death is shameful. Taras is a stern person, he cannot forgive his son and does not feel any pity for him. Taras carries out his sentence: “I gave birth to you, I will kill you!” Winning his own love for his son, Bulba kills Andriy. Now no one can accuse him of neglecting the ideals of the Zaporozhian Sich.
The death scene of the protagonist is very touching. Dying at the stake, Taras utters a speech imbued with love for the Russian land, anger and contempt for enemies: “But are there fires, torments and such a force in the world that would overpower the Russian force.” He calmly watches how his Cossacks swim away. Here the mighty strength of Bulba's character is manifested.
Nikolai Vasilyevich Gogol was a patriot of his native Little Russia. All his work fell on the era of Nicholas I. It was a time of cruel suppression of free thought and manifestations of the national spirit. Taras Bulba for many decades became the embodiment of the image of a fighter for independence and justice, true to Zaporozhye traditions, confident in victory over the enemy, and the story became a hymn to love of freedom.
Characters of all strata of society are expressed in the image of Taras and his sons. Old Taras is the embodiment of the ideals of chivalry, Andriy shows the features of an unstable part of the Cossacks, which is prone to betrayal and treason, and Ostap is the embodiment of the young Zaporizhzhya force, maturing in the Ukrainian people.
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